A Quote by Tom Skerritt

Most screenplays depend primarily on the vision of a director. — © Tom Skerritt
Most screenplays depend primarily on the vision of a director.
It's depend of the communication, I think it's very important to let the director make his own vision of the character, not making a studio movie. Look the Dark Knight it's totally the vision of Nolan.
My career is based primarily upon finding a balance with a director and their vision, and that means sublimating my own personal ego toward their material.
When I do a film, usually I work from my director. That's my boss. The director is interpreting the writer's vision, and we all interpret it, and they create their own vision as well.
In films, you have to follow the director's vision. Filmmaking is a director's medium. So everything happens as per the script and his vision.
As an actor, you've got to have faith in the director's vision, that the director has a vision for this that is greater than the critics say.
An actor is nothing without the vision of the director. The director needs to have a vision that will cross boundaries, that makes the audience sit on the edge of their seats and that pushes the envelope.
I believe that the director is really the soul. It is a collaborative effort, but the director is the one who needs to have that vision. It could be a great script, but it starts from there. You need to have good material, at least, but if you don't have someone with vision, it's just words.
The first thing you do as a producer is you try to understand the director's vision in as deeply a way as you can. Sometimes, you end up with a director that has more vision or sometime they have less vision. You hope that they have more. In the case where they have more, you need to understand it in the deepest way you can.
If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.
I've come to find more satisfaction and enjoyment in writing screenplays over the years because that's what I do primarily now.
You have to accept that the moment you hand a script to a director, even if you've written it as an original script, it becomes his or her movie. That's the way it has to be because the pressures on a director are so staggering and overwhelming that if he or she doesn't have that sort of level of decision making ability, that sort of free reign, the movie simply won't get done. It won't have a vision behind it. It may not be your vision as a screenwriter, but at least it will have a vision.
You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
I write mostly as a director. That's why my screenplays are very detailed. So I get into the images I see. I like that.
I have my pride. I'm a director. I'm not going to go and recreate some other director's vision.
When you do a rewrite, it's really about serving the director's vision, and what the director needs to go into that script.
Being able to communicate what your vision is clearly and with specificity is the most important thing a director can do.
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