A Quote by Tom Wilkinson
You can't do things for money. You just can't act them. There's gotta be something about the script that you really want to do. I wouldn't do a job if I didn't think I could do the best work I possibly could.
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Having been a stunt girl for so long, a big part of my job was to not just make the other person look as cool as they could, but also to act as a support. My job was to make them as safe as they could be, so that they could be as explosive and as emotionally engaged as they could be.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
I have everything that I could possibly want in life, from a gorgeous granddaughter and a wonderful wife, brilliant students, the best job anyone could hope for, and about half of my hair. Not the half I would have kept, but no one consulted me.
In making a web video series number one, you need to have a script that you think is really funny, and it's true to yourself. I think some people use things as a stepping stone, and they want to please people and show them, "Hey, I can do hip guys in Judd Apatow style," and it's not true to them. If there's something you know about, like motorcycles, do something about motorcycles first. Do something that's really true to yourself and find a voice, and make the script as good as possible.
I want to maximize my potential as a player. I want to be as good as I could possibly be. And if I do that, I think I could be one of the best players out there.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
I'm really hoping to find something that I feel as connected with as I did with 'The Florida Project.' I want to feel that passionate about things that I work on. I don't want to just act to act.
I think what really people want is just a few things done really, really well. And if you think about ever day of your life, the things you really appreciate aren't the complicated things. They're the simple things that work just the way you expect them to.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
The trouble with today is, things are a little easy. Teens don't feel as if anyone needs them or their talent, and that's wrong. We need them. They are the future. And if I can encourage them to think about the sciences as something they could do, then I think I've done a good job.
After I got this job at the syndicate, I started sending them money so they could go on trips and do the things they could never afford to do. All the while, I never knew that my mother was socking money away.
If I believe that I became the best quarterback that I could possibly be, the best football player that I could possibly be... That's how I'm going to measure my career as a success or not.
I really liked the idea of creating a journal myself. It's like the way I clear my throat. I write a page every day, maybe 500 words. It could be about something I'm specifically worried about in the new novel; it could be a question I want answered; it could be something that's going on in my personal life. I just use it as an exercise.
I don't know how many more movies I'm going to get the opportunity to make and I don't want to look back and go: "Man, I just floated through that one." Or: "I did that one for the money." I want to be able to say that I worked as a hard as I could and I did the best work that I could do.
If I could have enough money that I know I could buy a house someday, and if I want to have kids, I could raise them - I don't need the money grab. I don't need to have a mansion. I just need to be creative and happy.
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