A Quote by Tom Hiddleston

The character, as written on the page, is just a blueprint for a human being. — © Tom Hiddleston
The character, as written on the page, is just a blueprint for a human being.
I love... What's gratifying to me is when you make/create a character and a human being, a person who lives entirely and who has their own existence, just merely from the words on a page.
I should have asked for credit - but he has no idea how amazing it is that a character that was written as a boy can be equally written for a girl. It's like you said, just write a character as if it were a man, and then turn it and make it into a woman. It's like, we're human beings, after all.
The enemy is not the badly written page; it is the empty page the great advantage of a badly written page is that it can be rewritten. It can be improved. A blank page is zero. In fact, it’s worse than zero, because it represents territory you’re afraid, unwilling, or too lazy to explore. Avoid exploring this territory long enough, and you’ll abandon your book.
I've had experiences where I wasn't allowed to change words around at all because you have to say everything, exactly as written on the page. That's not fun for me. For me, part of being an actor is being able to contribute to a character's rhythms. If there's room to explore, you find a happy medium.
It's just a matter of me opening up the page and whatever is written on the page, that's what I'm here to do.
I remember looking at James Joyce's journals. It was just amazing - it looked like ants had written on the page. So much writing on one page, every corner of the page was filled. Some of the lines were underlined in yellow or blue or red. A lot of color, intense writing.
Were not one thing, as human beings, so any character that is written uni-dimensional, thats just a shallow character with shallow writing and shallow acting.
I really, deeply believe in the primacy of character. I believe that my job as a writer is to put a believable human being on a page.
You start out with scripts pre-written, with no specific actor in mind, so you've got to build a character on top of that foundation. It's not just lifting words off the page, it's constructing a history around them as well.
Is it all right for the government to allow the murder of an innocent human being? From the moment of conception, a new life comes into being with a complete genetic blueprint. The sex is determined. The blood type is determined. The moment that I learned the unborn was not part of the woman's body but its own individual human being, I have no choice but to defend the most vulnerable among us.
I believe in recognizing every human being as a human being--neither white, black, brown, or red; and when you are dealing with humanity as a family there's no question of integration or intermarriage. It's just one human being marrying another human being or one human being living around and with another human being.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.
I know I have a problem with semi-colon abuse and have written page-long sentences. Nobody needs to be reading page-long sentences, at least not written by me.
I know myself - I cannot just play a cliche. It has to be a character; it has to be written with the complexity of the human being behind. Could be bad, could be good, could be someone we would hate, but still, I need a reason for that influence, and I need to understand why.
It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.
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