A Quote by Tom Hanks

Motion pictures are just beginning to live up to their true potential of being immersive experience - going from beyond black and white flickering images to fully immersive 3D color high-definition. You don't even know where the real world starts and the fake world begins. And yet, none of that's going to matter unless the story and the emotions that they allow us to become invested in are something that we can recognize. Pixar is able to do this in ways that almost defies speculation.
I hate listening to things quietly. If I'm going to listen to something and fully enjoy it, I want the volume all the way up. That, for me, is a good immersive experience.
There are certain ways, narrative forms, that do not function as a continuation, for example, of 3D movies. You see, what is obvious to me is virtual reality or immersive 360 degrees virtual reality is not somehow a part of 3D movies, and it is not a new form of video games, it's neither, it is something completely new, something different, and nobody has come up yet with real convincing content.
I've always seen my movies in particular as being an immersive experience. I mean, with the technology at my disposal, I've always tried to make them as immersive an experience as possible.
In the future, an artist will be able to perform for the entire world in one date. For the fan, it will be a fully immersive experience - through a pair of glasses or whatever the device.
When you drill down, blockchains are really a shared version of reality everyone agrees on. So whether it's a fully immersive VR experience, augmented reality, or even Bitcoin or Ethereum in the physical world as a shared ledger for our 'real world,' we'll increasingly trust blockchains as our basis for reality.
It's so hard for people to give up their cell phones or their ideas of being connected to everything all the time in order to get an immersive experience. That's the best way to make art. It's almost like you have to treat it like you're going into a submarine, and Noah Baumbach totally agrees with that. There's not a real other life that happens outside of the movie while it's being shot, which I like.
If you black out the background in AR, you could make an immersive VR experience, and if you make the view translucent so you can see through it, you just have an augmented view of the real world. I think that's the ultimate and best form of display tech we'll have.
Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.
If the reader enters a kind of immersive experience reading a book, then I have to enter a kind of immersive state to do my best work.
According to "matter-ism," matter is all that exists. The only things that are real are physical things in motion governed by natural law. That story starts, "In the beginning were the particles," or, as one famous person put it, "The cosmos is all that is, or ever was, or ever will be." No God. No souls. No Heaven or Hell. No miracles. No transcendent morality. Just molecules in motion following the patterns of natural law. This is the story that most atheists, most "skeptics," most humanists, and most Marxists believe is true.
If you think about Cisco's offerings like TelePresence, where it's an immersive way to communicate for businesses to connect and have conversations in a real-time immersive mode, how that will change health care, how that'll change retail business, how that'll change actually travel. There's lots of changes that we will see going forward.
The dimensionality of 3D, the depth of field, the dynamism... it's an immersive experience. And on top of that it's great because the new glasses don't make you want to throw up and they don't give you paper cuts!
With Black Lives Matter, we knew from the very beginning that it wasn't just going to live online. We were like, 'We're creating this thing and then it's also going to live with black folks on the street and protests and organizations.' It was very important for us to use the hashtag as a way to have a larger conversation and as an organizing tool.
At my last job in the tech world, we'd throttle our wi-fi to experience what download speeds might be like for someone in the developing world. It was our attempt to experience it first hand. I thought it was a bit ridiculous because, no matter what we did, we wouldn't be able to fully experience their world unless we were living it every day.
We live in the world of images, but we also live in the world of the Internet, of zapping and where people move. You can make little videos on your phone. I love very composed images, but the idea of moving pictures with a story, with a plot is quite interesting, too.
If I'm being forced to do something I don't want to do, my real self comes out. But whether or not I'm aware of it, no matter what happens, I'm always going to have a fake self and I'm not going to judge my fake self.
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