A Quote by Tom Scholz
I will say that I know Nirvana did a show and played a few chords from 'More Than a Feeling' before they did 'Teen Spirit,' and it wasn't very good. But in all seriousness, 'Teen Spirit' was a great song. If subconsciously or somehow I had any influence on that, I'll take that as a compliment.
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I remember the first time I saw the 'Smells Like Teen Spirit' video. I will never forget that day. I just wanted to see Kurt Cobain's face. I had a feeling he was very cute. But, I couldn't see his face. When I finally did see him, he was even cuter than I imagined!
People still come up to me and say, 'Hey, 'Teen Wolf!' 'Teen Wolf Too' closed a week after it opened. Where did they see it?
Did you not look upon the world this morning and imagine it as the boy might see it? And did you not recognize the mist and the dew and the birdsong as elements not of a place or a time but of a spirit? And did you not envy the boy his spirit? For you know there can be no power over him who freely gives what another would take. Such a one has the capacity to love. Freely, naively, to say I do.
Ive always enjoyed the teen angst thing. I had a lot of teen angst as I was growing up, so I think I have a lot to say about it through characters before I have to move on.
I started wearing all black around the time I got into Nirvana. I first heard 'Smells Like Teen Spirit' when I was about 12, and I remember jumping on my bed, so excited about it.
I still bump 'Smells Like Teen Spirit.' I used to listen to it before all my football games.
It had a huge impact on me, ‘Smells Like Teen Spirit’ – and I was very proud when I found out that Kurt Cobain was a fan of mine. I thought he was awesome.
Young stand-ups, we ought to do comedy in George Carlin's spirit, in Richard Pryor's spirit, in Jackie Gleason's spirit, in Lucille Ball's spirit, because they did it with the spirit.
We should understand well that all things are the work of the Great Spirit. We should know the Great Spirit is within all things: the trees, the grasses, the rivers, the mountains, and the four-legged and winged peoples; and even more important, we should understand that the Great Spirit is also above all these things and peoples. When we do understand all this deeply in our hearts, then we will fear, and love, and know the Great Spirit, and then we will be and act and live as the Spirit intends.
When I had finished the book I knew that no matter what Scott did, nor how he behaved, I must know it was like a sickness and be of any help I could to him and try to be a good friend. He had many good, good friends, more than anyone I knew. But I enlisted as one more, whether I could be of any use to him or not. If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one. I did not know Zelda yet, and so I did not know the terrible odds that were against him. But we were to find them out soon enough.
For me, music doesn't have a color. 'Teen Spirit' is a fire song made by a white guy that me as a black person loves and can identify with.
The Realization of the Nondual traditions is uncompromising: There is only Spirit, there is only God, there is only Emptiness in all its radiant wonder. All the good and all the evil, the very best and the very worst, the upright and the degenerate- each and all are radically perfect manifestations of Spirit precisely as they are. There is nothing but God, nothing but the Goddess, nothing but Spirit in all directions, and not a grain of sand, not a speck of dust, is more or less Spirit than any other.
The endless teen franchises that come out of Hollywood... more often than not, the central character doesn't have any discernible character traits. They're just the young, good-looking guy who goes on this journey. They're always played by fantastic young actors, but ultimately, they're not very interesting characters.
The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.
Prosecutors say it would be next to impossible to get one teen to testify in court that another had slipped him or her a copied disc at lunchtime. And besides, isn't sharing music a time-honored part of teen friendship?
I directed my music to the teen-agers. I was 30 years old when I did 'Maybellene.' My school days had long been over when I did 'School Day,' but I was thinking of them.
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