A Quote by Tom Shadyac
If you bounce a tennis ball against a wall it will come back to you the same way every time. But if you shift the wall a few degrees it will come back another way.
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The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
In life you throw a ball. You hope it will reach a wall and bounce back so you can throw it again. You hope your friends will provide that wall.
Have you ever played ping pong up against a wall? You get exhausted a lot quicker than playing against someone. It's the same with getting angry. If you keep getting angry on your own, all that anger will just come back to you.
If a mathematician wishes to disparage the work of one of his colleagues, say, A, the most effective method he finds for doing this is to ask where the results can be applied. The hard pressed man, with his back against the wall, finally unearths the researches of another mathematician B as the locus of the application of his own results. If next B is plagued with a similar question, he will refer to another mathematician C. After a few steps of this kind we find ourselves referred back to the researches of A, and in this way the chain closes.
Winfield goes back to the wall. He hits his head on the wall and it rolls off! It's rolling all the way back to second base! This is a terrible thing for the Padres!
Even as a kid, I'd kick a tennis ball against a wall with both feet for hours. That was one way to become two-footed.
We are not talking about isolation. We're talking about security. We're not talking about religion. We're talking about security. Our country is out of control. People are pouring across the southern border. I will build a wall. It will be a great wall. People will not come in unless they come in legally. Drugs will not pour through that wall.
Now there is no taboo; everything is allowed. But one cannot simply go back to tonality, it’s not the way. We must find a way of neither going back nor continuing the avant-garde. I am in a prison: one wall is the avant-garde, the other wall is the past, and I want to escape.
The illusion of freedom will continue as long as it's profitable to continue the illusion. At the point where the illusion becomes too expensive to maintain, they will just take down the scenery, they will pull back the curtains, they will move the tables and chairs out of the way and you will see the brick wall at the back of the theater.
Is there a brick wall getting in your way? Fine. That happens. But you have a choice. You can walk away from the wall. You can go over the wall. You can go under the wall. You can go around the wall. You can also obliterate the wall. In other words, don't let anything get in your way. Get a balance, and then let the positive outdistance the negative.
I'll get angry in the same way with the coachman Ivan, argue in the same way, speak my mind inappropriately, there will be the same wall between my soul's holy of holies and other people, even my wife, I'll accuse her in the same way of my own fear and then regret it, I'll fail in the same way to understand with my reason why I pray, and yet I will pray--but my life now, my whole life, regardless of all that may happen to me, every minute of it, is not only not meaningless, as it was before, but has the unquestionable meaning of the good which it is in my power to put into it!
The jobs that have come back have been extremely insecure low-wage benefit poor temporary jobs. Young people are screwed. They don't have a way to pay off their debt. And when they discover that they could come out and vote Green to cancel that debt, that I am the one candidate who will bail out the students like we bailed out the crooks on Wall Street, then it becomes an irresistible motivation to actually come out and vote Green.
Through the last few decades it [the art object] has been ripped off the wall and twisted through every conceivable permutation, yet back to the wall it insists on going.
If you look at anything long enough, say just that wall in front of you - it will come out of that wall.
It is charming the way everyone in the South says, 'Come back.' This is the regulation farewell at gas stations, soda fountains, general stores, tourist camps. 'Come back,' they call, 'come back.' Do they feel marooned in one place, lost, needing to believe someone will return to share their exile on the similar main streets, in the varied but always new-looking land?
I want people to know that it's all right to come back to New Orleans. You can drink the water. The only way that the city can come back is if you come back. Tourism is a big part of it.
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