A Quote by Thomas Eakins
I have never discovered that the nude could be studied in any way except the way I have adopted. All the muscles must be pointed out. To do this all the drapery must be removed.
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I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.
The muscles you flex in theater are muscles that you really need. I must always find a way to get back there. It's irreplaceable.
If the way which I have pointed out as leading to this result (i.e., power over the emotions by which the wise man surpasses the ignorant man) seems exceedingly hard, it may nevertheless be discovered. Needs must it be hard, since it is so seldom found. How would it be possible, if salvation were ready to our hand, and could without great labour be found, that it should be by almost all men neglected? But all things excellent are as difficult as they are rare.
There must be no barriers to freedom of inquiry... There is no place for dogma in science. The scientist is free, and must be free to ask any question, to doubt any assertion, to seek for any evidence, to correct any errors. Our political life is also predicated on openness. We know that the only way to avoid error is to detect it and that the only way to detect it is to be free to inquire. And we know that as long as men are free to ask what they must, free to say what they think, free to think what they will, freedom can never be lost, and science can never regress.
To make our way, we must have firm resolve, persistence, tenacity. We must gear ourselves to work hard all the way. We can never let up.
I told that girl, in the kindest, gentlest way, that I could not consent to deliver judgment upon any one's manuscript, because an individual's verdict was worthless. It might underrate a work of high merit and lose it to the world, or it might overrate a trashy production and so open the way for its infliction upon the world. I said that the great public was the only tribunal competent to sit in judgment upon a literary effort, and therefore it must be best to lay it before that tribunal in the outset, since in the end it must stand or fall by that mighty court's decision any way.
If I know the way home and am walking along it drunkenly, is it any less the right way because I am staggering from side to side! If it is not the right way, then show me another way; but if I stagger and lose the way, you must help me, you must keep me on the true path, just as I am ready to support you.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
Lest I keep my complacent way I must remember somewhere out there a person died for me today. As long as there must be war, I ask and I must answer was I worth dying for?
I do admit that I've never been one to fit in easily to any given pattern. It's not my choice. It's just the way I am. So if the characters I wind up playing are all a bit different, it must be because that's the way I like it. Anna Kendrick is different, and she's going to stay that way.
It is not action or effort that we must surrender; it is self-will, and this is terribly difficult. You must do your best constantly, yet never allow yourself to become involved in whether things work out the way you want.
A career must be husbanded. Care must be taken. Everyday must bring some small bit of progress. How would an artist with any self-worth act? Act that way.
Because, therefore, we are defending a way of life, we must be respectful of that way of life as we proceed to the solution of our problem. We must not violate its principles and its precepts, and we must not destroy from within what we are trying to defend from without.
Even though this is late in an election year, there is no way we can go forward except together and no way anybody can win except by serving the people's urgent needs. We cannot stand still or slip backwards. We must go forward now together.
Never before was it as incumbent upon every members to restate loyalty and exemplify fraternal obligation by consistent life and unimpeachable character. But these must be reinforced by a growing consciousness of the responsibilities that Alpha Phi Alpha faces in the world today, where, if ever the problems which beset us are to be solved and a way of deliverance discovered, it must be by the application of those principles upon which we are founded.
To knot a sentence up properly, it has to be thought out carefully, and revised. New phrases have to be put in; sudden changes of subject must be introducted; verbs must be shifted to unsuspected localities; short words must be excised with ruthless hand; archaisms must be sprinkled like sugar-plums upon the concoction; the fatal human tendency to say things straightforwardly must be detected and defeated by adroit reversals; and, if a glimmer of meaning yet remain under close scrutiny, it must be removed by replacing all the principal verbs by paraphrases in some dead language.
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