A Quote by Thomas Lennon

We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film. — © Thomas Lennon
We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film.
The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.
To be honest, I would like to have worked with Peter Sellers, because when people talk about classic British actors, you talk about Lawrence Olivier, and Peter Sellers was just in the most amazing films.
Being a lawyer, even in a city as large as Chicago, is like being a citizen of a small town. I love watching the life of the town play out. You know, the rise and fall of individual lives in the entire community is just fascinating to me.
The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.
If you look at any sitcom that you watch, if it takes place in, say, a small town in Massachusetts, and it's about the dynamics of the people in that town, the showrunner probably grew up in a town like that, witnessed things, and created content.
I think there is something special about living in a small town. Everyone knows your business and there is an intimacy you don't get in a large town.
I never did like Cleveland. Don't know why. Didn't like the town. Now, the people are all right, but I just didn't like the town.
One of the pleasant things about small town life is that everyone, whether rich or poor, liked or disliked, has some kind of a role and place in the community. I never felt that living in a city - as I once did for a couple of years.
Once a Altman's film has been in a town, it kind of wrecks the town. It doesn't even matter what the film is because, suddenly, everybody's hip and stores start doubling prices or whatever.
I grew up on a farm in a small town where you do or say one thing and everybody knows about it. You see it happen, there's always the town gossip - 'Oh did you hear about so and so, or did you hear what went on in this household?' So I learned at a very young age just to keep my mouth shut.
A town is a thing like a colonial animal. A town has a nervous system and a head and shoulders and feet. A town is a thing separate from all other towns alike. And a town has a whole emotion. How news travels through a town is a mystery not easily to be solved. News seems to move faster than small boys can scramble and dart to tell it, faster than women can call it over the fences.
The crazy thing about 'Hook' was it was one of the movies in town that everybody knew about. It was the biggest film shooting in Hollywood at the time and the idea of Robin Williams playing Peter Pan really captured everybody's imagination.
I did a lot of crazy gigs man. I hosted a Jack and Jill strip club in Woonsocket Rhode Island which is this tiny depressing fishing town, all Portuguese immigrants and it's just a humorless, dark town.
I was born in a very small town in North Dakota, a town of only about 350 people. I lived there until I was 13. It was a marvelous advantage to grow up in a small town where you knew everybody.
Everyone needs a small-town banker. Especially in a big town.
'Satra Ko Shaadi Hai' is a very sweet film. It was the first film that I shot. I play a shy small town boy in it, which is an absolute contrast to what I played in 'Sanam Teri Kasam.'
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