A Quote by Thomas Lynch
So I suppose poetry, language, the shaping of it, was and remains for me an effort to make sense out of essentially senseless situations.
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A senseless tragedy remains forever tragic, but it is up to us whether it remains forever senseless.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
I mean, say that you figure that everything is senseless, then it can't be quite senseless because you are aware that it's senseless and your awareness of senselessness almost gives it sense. You know what I mean?
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
The fact is that life has become a sweepstake. Millions of people who have lost the sense of being able to make anything of the collective effort of shaping their economic society, now expect fortune to descend like pie from the sky.
I think poetry is as old as language, and both come out of the same thing - an effort to try to express something that is inexpressible.
Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
Peter used to say that an artist’s job is to make order out of chaos. You collect details, look for a pattern, and organize. You make sense out of senseless facts. You puzzle together bits of everything. You shuffle and reorganize. Collage. Montage. Assemble.
It exhibits the effort of an essentially prosaic mind to lift itself, by a prolonged muscular strain, into poetry.
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
I wanted to become a writer and felt that poetry was perfected language, so having it in my subconscious mind would make the music of language always available to me.
I see poetry as a path toward new understanding and transformation, and so I've looked at specific poems I love, and at poetry's gestures in the broadest sense, in an effort to feel and learn what they offer from the inside.
I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it - in a world in which everything else is out of control.
Religions sprang up among men to deal with the sometimes terrifying aspects of existence, to make sense out of the senseless, to explain things we find inexplicable.
To suppose that man without language taught himself to speak, seems to me as absurd as it would be to suppose that without legs he could teach himself to walk. Language, therefore, must have been the immediate gift of God.
We admire Chaucer for his sturdy English wit.... But though it is full of good sense and humanity, it is not transcendent poetry.For picturesque description of persons it is, perhaps, without a parallel in English poetry; yet it is essentially humorous, as the loftiest genius never is.
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