A Quote by Thomas McGuane

There's a view of Montana writing that seems stage-managed by the Chamber of Commerce - it's all about writers like A. B. Guthrie and Ivan Doig. It used to bother me that nobody had a scene where somebody was delivering a pizza.
I was re-watching 'E.T.' recently, and that scene where they're all around the pizza, bringing the pizza in, and gambling and stuff together, it's such an amazing tone, it's so rough, and nobody's really talking about anything, and it feels like you're in that room with them.
I think the best way to crash a stranger's party would be to arrive as the pizza person, buy pizza, buy some sort of pizza shirt, walk in like you're delivering the pizza, put it down and proceed to party while eating the pizza.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
I've always had to conquer fear when I'm on stage. Basically, I was and still am a very shy person. It's absolutely in conflict with what I do. But once I deliver the first joke I'm okay. It's like I'm out there all by myself just delivering my lines to nobody in particular without ever trying to notice the audience in front of me.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
There's no lack of writers writing novels in America, about America. Therefore, it seems to me it would be wasteful for me to add to that huge number of people writing here when there are so few people writing about somewhere else.
I started to see this common theme with the songs that I was writing or co-writing, and it all had this really strong, independent point of view that I had subconsciously been craving from the music scene.
I don't know if it's just me getting older, but things that used to bother me, or that I used to take personally, or maybe since going through a public divorce. I just like, really, it takes a lot to bother me nowadays.
When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'
When I was in high school, I liked to pretend that I was a Russian foreign exchange student. I would do things like go into a pizza restaurant and tell them I'd never had pizza before, and they'd bring me into the kitchen and show me how to make an American pizza. It's really fun.
Sometimes I'll have a scene that strikes me, I just feel like writing a scene, a mini-story that seems like it might lead somewhere. But that is such a tentative, fishing-hook way to go about it that these days I've found it's easier to kind of at least have your concept and start attaching things to a skeleton. So I try to find the armature, the kind of backbone of it first that you can start to hang those scenes on.
When I was in high school, I liked to pretend that I was a Russian foreign exchange student. I would do things like go into a pizza restaurant and tell them Id never had pizza before, and theyd bring me into the kitchen and show me how to make an American pizza. Its really fun.
The deconstructed, postmodern pizza has been with us for ages, and the fact is that pretty much every ingredient in the world has been used as a pizza topping and liked by somebody, somewhere.
I feel like if writers used writing as therapy we'd have a ton of happy writers.
Nowadays it seems to me nobody takes trouble about anything, especially writing songs.
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