A Quote by Thomas Mars
In France, anyone can use your music on like a TV show or whatever - they don't need to ask permission. It's almost like a child when it has its own life.
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I think because I've gotten permission from my style icons like Tim Gunn and André Leon Talley, who say to me, "You don't need to dress like anyone else, because you're your own fashion icon. You represent comfortable. And you do fashion your way, and you should be at Fashion Week." They gave me permission to enjoy it! And it's great!
If you can show your child what its like to be charming and giving, show your child what love is really all about and show your child unconditional love, show your child caring and compassion and understanding the nonjudgmental and that is what your child will become.
I don't think that anyone was trying to keep me from writing the first album. It's just when you're on 'American Idol' or a TV show like that, you wanna capitalize on that momentum, and you want to use that to your advantage, obviously, so the best way to do that is to get the music out as fast as possible. And there's no time to create, really.
In captivity, one loses every way of acting over little details which satisfy the essentials of life. Everything has to be asked for: permission to go to the toilet, permission to ask a guard something, permission to talk to another hostage - to brush your teeth, use toilet paper, everything is a negotiation.
Either I need an assignment with a strict deadline - like something for a movie or a TV show or whatever - or else I need to create a made-up deadline for myself for my own records. Otherwise, I don't write anything.
Music and time have such an interesting relationship. Music makes time fall away like almost nothing else. You hear a song from another moment of your life and it really is like you're still there. That's why the music of our youth ends up being particularly powerful. The coming of age music that you grab a hold of as the symbol or the expression of your independence and hopes for the future and anger and rebellion or whatever it is you're feeling is so powerful for the rest of your life when you hear it.
I like to see the positive. I went to Madrid when I was 18 and did a TV show there. Really, my first job was in Madrid and I was on my own. I think it teaches you how to be independent and survive on your own and not really need anyone, although I definitely needed help in Madrid. It was kind of a disaster. I ended up living with nuns, but that's a whole other story.
When you have a TV show, and you're selling out 10,000 seats or whatever the hell it is, it's not that it becomes easy. It's just that's what your life is like.
You can't have whatever you want. But to a child who must ask permission for every single thing, adulthood looks like a constant parade of every desire's satisfaction. It is a heady and terrifying place. It is the Otherworld. It is Fairyland. In fantasy, we make this literal.
The blues, the way it's interpreted, is always a product of your environment, and so it's almost like food. You know, it's like you use the ingredients, and you use your life experiences that you have.
It was almost like being a child again because you felt like you were in your bedroom and it almost felt like no one was really watching you. So, you were just kind of having a bit of fun on your own doing silly voices in the bedroom.
This is the deepest experiment of life. And whatever has been discovered in regard to life, this is the most significant finding of all: don't ask for happiness if you want to be happy, don't ask for peace if you want to be peaceful. Whatever you ask for will be lost. Whatever you do not ask for you will get. You have asked many times and seen that you do not receive it. Now try not asking and see. There is no need to believe me; there is a need to experiment.
It took me almost wanting to retire to realize that you need to ask for what you need. Everybody needs something different, but whatever it is you need, you need to ask for it and figure out how to get it.
Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.
Criticism on my works is like this: you've worked hard all of your life, you went to Oxford, and you've done this and that, and you're an art critic. Your job is to unravel the "secret" or whatever, and you come across an entity like me. It's going to piss you off. Because there's no great secret, what you see is what you get, and anyone can understand what I'm doing. So, it's almost like I make this critic-person redundant, just by my attitude, and they resent me for that.
Music TV in the U.K. is disappearing. 'Top Of The Pops,' 'CD:UK' and shows like that have gone, and it's bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
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