A Quote by Thomas Moore

A genuine odyssey is not about piling up experiences. It is a deeply felt, risky, unpredictable tour of the soul. — © Thomas Moore
A genuine odyssey is not about piling up experiences. It is a deeply felt, risky, unpredictable tour of the soul.
I think it's a greater risk not to write about 9\11. If you're in my position - a New Yorker who felt the event very deeply and a writer who wants to write about things he feels deeply about - I think it's risky to avoid what's right in front of you.
There are two kinds of sculptures. There's the kind that subtracts: Michelangelo starts with a block of marble and chips away. And then there is the kind that adds, building with clay, piling it on. The way I write novels is to keep piling on and piling on and piling on.
I think all you can really do is use the tour to kinda fill up with experiences and thoughts, and then, when you get back to the studio, or in some type of creative environment, that's when you release everything that you've encountered on tour.
Change occurs when deeply felt private experiences are given public legitimacy.
People that have had genuine abduction experiences that I've met that seem very genuine to me, but they're just confused about why it happened. I've met a lot of people like which I regard as being very genuine... but there's a lot of crazy people out there.
If managers knew how deeply their behaviors could affect brain function - whether they are piling up too much work on someone or yelling at them for "motivational purposes", they would quit doing it.
People that have had genuine abduction experiences that Ive met that seem very genuine to me, but theyre just confused about why it happened. Ive met a lot of people like which I regard as being very genuine... but theres a lot of crazy people out there.
There are times I'm completely uncomfortable with my works being performed publicly, and I haven't attended certain concerts because the prospect is akin to having a diary read on stage. But there are also situations - whether with an audience of one, or many - where the concert experience can be deeply special, and those experiences are often unpredictable, and wonderful when they occur.
It was such an unexpected and genuine smile that if I only had a soul I'm sure I would have felt quite guilty.
In harvesting of evil deeds, the human race is busy; and doing so is to taste the pangs of Hell . . . The piling up of wealth is the piling up of others' property; what one thus storeth formeth but provisions for one's enemies... I wash off human scandal by devotion true; and by my zeal, I satisfy the Deities. By compassion, I subdue the demons; all blame I scatter to the wind, and upward turn my face.
Music saved my life. The voice you hear, the soul, the pain, is that of a person who deeply, deeply, deeply appreciates the opportunity they've been given.
My second album was written while I was on the road promoting the first record. I tried to take my personal experiences and elevate them to universal experiences, so that I wasn't writing songs about living on a tour bus or being on a TV set for the first time.
I think we're in an age starved for genuine experiences, instead of cathartic phony experiences through the media, structured, engineered experiences. And those are the fast food, the masturbation of experience. They don't really exhaust any aspect of ourselves; they don't make us any stronger.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
The old-fashioned idea that the simple piling up of experiences, one on top of another, can make you an artist, is, of course, so much rubbish. If acting were just a matter of experience, then any busy harlot could make Garbo's Camille pale.
Being in two full-time rock bands is pretty impossible. I love to tour but I have a dog and I want to see him. And, being a songwriter, you have to have experiences and do things. You can't just go on tour all the time, otherwise you get nothing to write about. It's finally at a point where the balance is perfectly right.
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