A Quote by Thomas Noon Talfourd
So his life has flowed, From its mysterious urn a sacred stream, In whose calm depth the beautiful and pure, Alone are mirrored; which, though shapes of ill, May hover round its surface, glides in light, And takes no shadow from them.
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I saw Eternity the other night, Like a great ring of pure and endless light, All calm, as it was bright, And round beneath it, Time, in hours, days, years, Driven by the spheres, Like a vast shadow moved, in which the world And all her train were hurled.
Beauty in this Iron Age must turn, From fluid living rainbow shapes to torn, And sootened fragments, ashes in an urn, On whose gray surface runes are traced by a Norn, Who hopes to wake the Future to arise, In Phoenix-fashion, and to shine with rays, To blast the sight of modern men whose dyes, Of selfishness and lust have stained our days...
Vermont tradition is based on the idea that group life should leave each person as free as possible to arrange his own life. This freedom is the only climate in which (we feel) a human being may create his own happiness. ... Character itself lies deep and secret below the surface, unknown and unknowable by others. It is the mysterious core of life, which every man or woman has to cope with alone, to live with, to conquer and put in order, or to be defeated by.
Only in the sacredness of inward silence does the soul truly meet the secret, hiding God. The strength of resolve, which afterward shapes life, and mixes itself with action, is the fruit of those sacred, solitary moments. There is a divine depth in silence. We meet God alone.
It is an exquisite and beautiful thing in our nature, that, when the heart is touched and softened by some tranquil happiness or affectionate feeling, the memory of the dead comes over it most powerfully and irresistibly. It would seem almost as though our better thoughts and sympathies were charms, in virtue of which the soul is enabled to hold some vague and mysterious intercourse with the spirits of those whom we loved in life. Alas! how often and how long may these patient angels hover around us, watching for the spell which is so soon forgotten!
I venerate the man whose heart is warm, Whose hands are pure, whose doctrine and whose life, Coincident, exhibit lucid proof That he is honest in the sacred cause.
The eye speaks with an eloquence and truthfulness surpassing speech. It is the window out of which the winged thoughts often fly unwittingly. It is the tiny magic mirror on whose crystal surface the moods of feeling fitfully play, like the sunlight and shadow on a still stream.
He who was Shri Rama, whose stream of love flowed with resistless might even to the Chandala (the outcaste); Oh, who ever was engaged in doing good to the world though superhuman by nature, whose renown there is none to equal in the three worlds, Sita's beloved, whose body of Knowledge Supreme was covered by devotion sweet in the form of Sita. (part of A Hymn To Shri Ramakrishna)
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
Below the surface stream, shallow and light, Of what we say and feel below the stream, As light, of what we think we feel, there flows With noiseless current, strong, obscure and deep, The central stream of what we feel indeed.
A person does not...stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourself exposed on his surface...but is a shadow which we can never succeed in penetrating...a shadow behind which we can alternately imagine, with equal justification, that there burns the flame of hatred and of love.
The ocean, whose tides respond, like women's menses, to the pull of the moon, the ocean which corresponds to the amniotic fluid in which human life begins, the ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves... it is unstable and threatening as the earth is not; it spawns new life daily, yet swallows up lives; it is changeable like the moon, unregulated, yet indestructible and eternal.
A poet is an unhappy creature whose heart is tortured by deepest suffering but whose lips are so formed that when his sighs and cries stream out over them, their sound beomes like the sound of beautiful music . . . . And men flock about the poet saying, Sing for us soon again; that is to say, may new sufferings torture your soul, and may your lips continue to be formed as before.
Archetypes resemble the beds of rivers: dried up because the water has deserted them, though it may return at any time. An archetype is something like an old watercourse along which the water of life flowed for a time, digging a deep channel for itself. The longer it flowed the deeper the channel, and the more likely it is that sooner or later the water will return.
Though most of the friendships of the world ill deserve the name of friendships; yet a man may make use of them on occasion, as of a traffic whose returns are uncertain, and in which 'tis usual to be cheated.
I said earlier that I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them.
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