A Quote by Thomas Paine
All this [Paul's writing] is nothing better than the jargon of a conjurer who picks up phrases he does not understand to confound the credulous people who come to have their fortune told. Age of Reason
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Whoever is versed in the jargon does not have to say what he thinks, does not even have to think it properly. The jargon takes over this task.
Where jargon turns living issues into abstractions, and where jargon ends by competing with jargon, people don't have causes. They only have enemies.
If you look at the careers of Philip Seymour Hoffmann, Paul Giamatti, Meryl Streep, none of them shot up in terms of fame or fortune or recognition, they laid a platform of good, solid work and became better and better.
What is the free market? Well, the free market, [we're told] is really a terrible, inhuman kind of arrangement, because it treats people like commodities. But how does the government treat people? Like garbage-worse than garbage. Not like commodities, but like nothing. We libertarians understand that we are not humane, we are not compassionate. It's the leftists and the liberals, they're the ones who are human and compassionate, but you'd better not get in their way.
I had my fortune told once at the Great Wall of China. A withered old lady told my fortune - but it was probably one of these things that are set up to rip off tourists. She told me a couple of vague things that came true, but she was probably just lucky. I would never do it again.
We live in an age where people are like, "I'd love to catch up. Maybe text me later? But don't call because I don't really listen to my messages. But if you text me..." We've displaced interaction into sound bites and untethered phrases and sentences that come up on the phone as Twitter feed.
This is great art, we've been told this by the great pundits of our age. And in consequence why should we bother to learn? There's nothing more delightful than to be told, 'You don't have to learn, my boy. There's nothing in it. Modern art? There's nothing in it.
If you have more than one reason to do something (choose a doctor or veterinarian, hire a gardener or an employee, marry a person, go on a trip), just don’t do it. It does not mean that one reason is better than two, just that by invoking more than one reason you are trying to convince yourself to do something. Obvious decisions (robust to error) require no more than a single reason.
At certain times, you start to - maybe not lose the faith - but just wonder how long it will take until someone picks me up. I was thinking, 'Is it just me? Do I think I'm better than any manager does?'
This is revolution in reaction, as well as in radicalism, and Toryism speaking a jargon of law and order may often be a graver menace to liberty than radicalism bellowing the empty phrases of the soapbox demagogue.
There was no better end than Lance Alworth and no better lineman than Ron Mix. Those are Hall of Fame guys. There was no better guard than Walt Sweeney and no better pair of running backs than Keith Lincoln and Paul Lowe.
At the age of one, I was already heavier than most: doctors told my mum that she should start feeding me differently to the advice given by the health visitor. Yet I ate healthily, nothing was processed, and I was active and happy. But for whatever reason, I was on the bigger side.
I really cherish the memories I have of my trips. For some reason, when you travel, it's like your mind picks up on the fact that this is something uncharacteristic, so it tunes in more acutely and remembers better.
Although I don't know Paul McCartney, a mutual friend told me that Paul was reading my book, This Is Your Brain on Music, and stopped after chapter two. McCartney said he was concerned that if he learned more about how he does what he does (as far as composing music), he may not be able to do it anymore!
There is nothing which continues longer than a moderate fortune; nothing of which one sees sooner the end than a large fortune.
To conceal a want of real ideas, many make for themselves an imposing apparatus of long compound words, intricate flourishes and phrases, new and unheard-of expressions, all of which together furnish an extremely difficult jargon that sounds very learned. Yet with all this they say-precisely nothing.
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