A Quote by Thomas Struth
I wanted to make photographs in which everything was so complex and detailed that you could look at them forever and never see everything.
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I never ever wanted to change my sport... Figure skating was my outlet, it was my breath, it was how I could live and transmit everything I was feeling and everything I had worked for and given up and all these sacrifices I'd made throughout the years. It was how I could make them all worth it.
Kevin Feige and I have very smart people who work for us, who make sure that we see everything. And that we actually see everything. They see everything, tell us about it, we see it. You have to have people who work with you, who say 'you have to look at this film'. And then you look at it. You really have to look at it. You have to look at movies all the time.
I never wanted to be that fad type of artist. When I looked up to artists, watching TV, I wanted to see somebody. I wanted to touch that person. I wanted to sound like them. I wanted to move like them. That' s what I want my fans to do. So that's why, everything that I do, the music I make, how I dress, it's all based off my lifestyle.
See that I am God. See that I am in everything. See that I do everything. See that I have never stopped ordering my works, nor ever shall, eternally. See that I lead everything on to the conclusion I ordained for it before time began, by the same power, wisdom and love with which I made it. How can anything be amiss?
It's a form of violence, in the way that we look at women and how we expect them to look and be - for what sake? Not health, not survival, no enjoyment of life but just so you could look pretty. I'm constantly telling girls all the time, 'Everything's airbrushed, everything's retouched. None of us look like that.
And we could have all this,' she said. 'And we could have everything and every day we make it more impossible.' 'What did you say?' 'I said we could have everything.' 'We can have everything.' 'No, we can't.' 'We can have the whole world.' 'No, we can't.' 'We can go everywhere.' 'No, we can't. It isn't ours anymore.' 'It's ours.' 'No, it isn't. And once they take it away, you never get it back.
Because I wanted to have a place that I could create everything that I that I never had as a child. So, you see rides. You see animals. There's a movie theater.
We didn't have everything we wanted when we were younger, but there was never a moment we didn't feel our parents weren't doing everything they could.
Hard systems are everything we're using right now - computers, phones, planes, the clothes you're wearing, the room you're in. Everything there involves 100% use of technology and expertise to make it, and nothing we make - including space exploration vehicles and so on - is complex. Everything we make is complicated. Nothing is self-renewing.
Now I know I'll never be numb again. A mother is condemned to feel everything forever. And I'm finally afraid, condemned to fear everything forever. But that makes sense: feel someone else's pain, feel someone else's everything.And he's my baby, so everything's okay.
The New Women! I could barely recognize them as being of the same sex as myself... They are satiated by everything, hungry for nothing. They are what I wanted to be; they are what I worked for them to be: and now I see them, I hate them.
That's right... I never felt a sense of superiority because I could see spirits. And I never once thought that I could make a living or help someone with it. I just longed for a life where I couldn't see them. And I finally got what I always wanted.
In the '60s when I started to see everything I could see, you could see pretty much everything which was still available from the '30s, '40s, '50s, '60s, and therefore I had an education which was really large and vast in different cinema. That's probably the reason I did not fall for the New Wave. It's really the love of the movies that made me want to become a cameraperson, definitely. I was really a film buff.
My aim is increasingly to make my photographs look so much like photographs [rather than paintings, etchings, etc.] that unless one has eyes and sees, they won't be seen - and still everyone will never forget having once looked at them.
Digital information, for every type of storage, is unfounded. If everything is on a hard drive and the hard drive freezes up, your whole photography collection could just go away. We can still look at printed photographs of our grandparents. We can physically hold them in our hands and look at it.
I can honestly say that, growing up, it never crossed my mind that I could ever make anything. I could write articles about things, which is why I wanted to be a professor. I loved watching movies and writing about them and teaching them, but it never crossed my mind that I could make something.
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