A Quote by Tony Kanal

You don't have to be singing songs about angst and pain to be credible. — © Tony Kanal
You don't have to be singing songs about angst and pain to be credible.
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
I'm here to be lovesick, broke and drifting, writing heartache songs and singing about pain and misery and depression, with a few good times here and there.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
I like the audience to be engaged with the numbers I am singing and do not repeat my songs at any of my concerts. There are thousands of songs that I have lent my voice to with so many other singers, so why bore my audience by singing the same songs?
For me, singing was always about the lyrics. I'm hopeless at singing songs that don't have a core.
There is an inward state of the heart which makes truth credible the moment it is stated. It is credible to some men because of what they are. Love is credible to a loving heart; purity is credible to a pure mind; life is credible to a spirit in which life beats strongly it is incredible to other men.
I've been in bands since I was about fifteen, so there are probably quite a lot of terrible teenage songs kicking about somewhere. I'm not sure what it was about to be honest, I think it was probably just something along the lines of teen angst.
If you are speaking about my own songs, I would think so because we were talking about that particular era and I was singing one of my songs that I recorded 50 years ago.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.
When you're singing songs about love and sex, you want everyone to think you're singing to them. Whether you're a boy, a girl, a woman, a man - whatever you're into, I can be that.
It used to be the case that for an Irishman to come to the U.S. involved a perilous journey on a ship. It involved singing lots of songs before you left saying goodbye, and once you were in the U.S., it involved singing lots of songs about how you were never going to set foot in Ireland again.
To be honest, neither 'Satta' nor 'Stumped' needed songs and music. But when we recorded a good soundtrack album, everyone suggested we create credible situations for songs.
Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements.
As for finding comfort in the zone, I'm comfortable singing what I write. I like writing emotional and slow, melodious songs. I haven't tried singing songs from other genres, but yes, I would like to give them a try.
I've been writing songs since I was a teenager, so one kind of song I've written a lot is about, I don't know, teen angst feelings - feeling unsure of yourself and immature.
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