A Quote by Tony Levin

Through the years I've found that I prefer live playing to recording. I still do lots of recording - but I treasure the live shows. — © Tony Levin
Through the years I've found that I prefer live playing to recording. I still do lots of recording - but I treasure the live shows.
We were playing shows still when we wrote 'Phoebe' and 'Rock All Night.' We got to test those songs in a live setting, so it was nice recording them and knowing which ones really resonated with the crowd.
Cause I enjoy both, I enjoy recording and playing live, but yeah, the rush of playing live is really something.
I'm in a position I never imagined I'd be in as a musician. Bob Dylan built an audience through recording and live shows. The opportunities for an artist today are totally different.
Performing live is not my favourite. I am more of a recording person; I prefer to be private. I didn't mind doing videos, even if they came very close with the camera. I can take that, but walking on stage in concert and singing live, that is a bit difficult.
Before that, an 8-bit recording was pixelated; it was really bad. It didn't serve what I was doing, which was recording live sound and delaying it and feeding it back. This is essentially what the EIS system is: a bunch of delays.
It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.
My history is really playing live - not writing or recording.
And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.
When I am not recording, I do live shows or am at home catching up on shows which I regularly watch. But there will always be some music around me.
I don't like tracking and over dubbing and all that. I love live recording where everybody is playing. I, I'm convinced it's better.
I think we were probably playing live for about 12 months before we got a recording deal.
There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.
I kept talking to my producers at Columbia about recording one of those [prison] shows. So we went into Folsom on February 11, 1968, and recorded a show live.
To me, recording with live instruments and tape takes things back to an older sound that I like but that's still fresh.
Recording an album and doing it live are like two different animals. There are some people that are great singers live, horrible in the studio.
I think when we were making the first album, we were like 16, 17 years old, and I think just years and years of recording and playing shows - I know me, personally, I kind of figured out my style more and vocally learned a better way to sing in the studio.
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