A Quote by Toni Morrison

I wanted to separate color from race. Distinguishing color - light, black, in-between - as the marker for race is really an error. — © Toni Morrison
I wanted to separate color from race. Distinguishing color - light, black, in-between - as the marker for race is really an error.
There's this false notion that you have to separate and choose between issues of class and issues of race. What people do when they say that you need to separate class from race is that they are really just saying that people of color should come second.
Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.
The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.
These people yapped loudly of race, of race consciousness, of race pride, and yet suppressed its most delightful manifestations, love of color, joy of rhythmic motion, naive, spontaneous laughter. Harmony, radiance, and simplicity, all the essentials of spiritual beauty in the race they had marked for destructions.
Color is life, for a world without color seems dead. As a flame produces light, light produces color. As intonation lends color to the spoken word, color lends spiritually realized sound to a form.
People approach people of color with preconceived ideas. I don't think this is just restricted to white people, but I think that lots of black and white artists, when race is a subject matter, they put race or the ideology around race first. They don't see the person and the complications of the human being.
But when I fell in love with black, it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all.... You can be quiet and it contains the whole thing.
Baseball is a game of race, creed, and color. The race is to first base. The creed is the rules of the game. The color? Well, the home team wears white uniforms, and the visiting team wears gray.
It's time we become comfortable with the uncomfortable conversations about race...Instead of being color blind, we need to be color brave.
In distinguishing between Islamic teachings and social taboos, we must remember that Islam forbids injustice; Injustice against people, against nations, against women. It shuns race, color, and gender as a basis of distinction amongst fellowmen. It enshrines piety as the sole criteria for judging humankind.
There's one race on this planet. It's called the human race. We're all the same. To me, there is absolutely nothing that has color to do with it.
I very much dislike the word "race," and I never use it. I use the word "racist." Race is not a fact. There is only one race: human. Skin color is less than 2 percent of the DNA.
It seems obvious that colors vary according to lights, because when any color is placed in the shade, it appears to be different from the same color which is located in light. Shade makes color dark, whereas light makes color bright where it strikes.
Capitalism knows only one color: that color is green; all else is necessarily subservient to it, hence, race, gender and ethnicity cannot be considered within it.
Flowers and flames. And color. Color as color, not as volume or light - only as color.
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.
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