A Quote by Tony Parsons

I hate Nassau and the Bahamas. It's one of those places I'd always wanted to visit since reading Ian Fleming but it was full of casinos with Americans in shorts. — © Tony Parsons
I hate Nassau and the Bahamas. It's one of those places I'd always wanted to visit since reading Ian Fleming but it was full of casinos with Americans in shorts.
I've been to the Bahamas before, and it's so crass. You land in Nassau, and the whole island is replete with beauty and culture, but there's a lot of poverty. It is a largely black population; then they build these places like Atlantis and The Cove that are walled off.
[On Ian Fleming:] The trouble with Ian is that he gets off with women because he can't get on with them.
There are places that I've always wanted to go. First I went to Africa, and when I was there I realized there were places in Africa I really to wanted to visit: The Congo, West Africa, Mombassa. I wanted to see the deep, dark, outlandish places.
Ian Fleming was my cousin, and he wanted me to play Dr. No, but by the time he got around to remembering to tell the producers, they'd already cast someone else. Spilt milk!
Honestly, not being evasive, but the great thing about Bond is that I have fifty years of movies - 23 movies and all the Ian Fleming novels and short stories, all of which are fodder. And when I'm working on the new Bond, I'm constantly going back to Fleming and the other movies - what are the bits and pieces, what are the resonances?
Now, I'll tell you something that might interest you. Casino Royale was the first Bond book that Ian Fleming ever wrote. And he couldn't get anybody to touch it, to publish it - he couldn't do anything about it at all. Nobody wanted to know.
Ian Fleming was my cousin, you know. He was in naval intelligence.
I've been to the Bahamas. It's a beautiful country with truly excellent people. When I took a cruise that docked for a couple hours in Nassau, it mostly reminded me of a giant version of my grandmother's neighborhood in Mobile, Alabama... but with better accents.
I've got so much respect for 'Bond.' It's such an iconic cultural behemoth. I love the whole story - Ian Fleming's stories are amazing.
I don't think anyone has ever succeeded in putting Ian Fleming's James Bond up on the screen. The closest in my opinion is Pierce Brosnan.
I created Batman about 10 years before Ian Fleming created James Bond.
I have seen the glories of art and architecture, and mountain and river; I have seen the sunset on the Jungfrau, and the full moon rise over Mont Blanc; but the fairest vision on which these eyes ever looked was the flag of my country in a foreign land. Beautiful as a flower to those who hate it, terrible as a meteor to those who hate it, it is the symbol of the power and glory, and the honor, of fifty million Americans.
If you want to know what it will be like when we are more deeply into the horizontal, simply go to one of the Indian casinos. The Native Americans, who stand for vertical thinking more than anyone else in our culture, have been setting up totally flat casinos for honkies.
My dad was in the Swedish armed forces, he was always reading up on different weapons from the Americans and Soviets. When I was a kid, I was in bed looking at his books, reading about the Red Army. So I was very aware of it. I had an interest in military matters ever since.
Ian Fleming and Norman Felton were friends. 'U.N.C.L.E.' was basically a tongue-in-cheek 'Bond.' It wasn't quite as serious and dramatic as 'Bond,' nor did we have the budget for that.
With a lot of those 'S.N.L.' shorts, we would do them just as we wanted to do them and then beep out the bad words. Since it was late night T.V., they let us get away with a lot.
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