A Quote by Tony Todd
Yes, I would like to be involved in something that would hopefully be a blockbuster, but I'm interested in seeing new filmmakers telling new stories and to able to help them do that.
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Television has - particularly at the HBO level in the United States - become a completely new genre. Something like Deadwood or The Wire is a whole new thing - there was no equivalent to that medium before. It's like a new way of telling stories.
I try not to write songs. I would rather emote them, and I found myself going back to my room every night while on my trip, just pouring out new songs and new stories about what I was seeing, what I was feeling.
There's a rumbling with young artists and young filmmakers that are dying to get different points of view, different stories, out there. It's all changing and happening and they're able to maybe not play their movies in theaters but get them on the internet. This is the new wave, the new world.
I never would have dreamt in a million years that I would have young girls coming up to me at Glastonbury or on the streets of L.A., New York, London, and telling me how much GurlsTalk or seeing my picture in a magazine means to them, as a woman of colour.
I would always change my Barbies. I'd cut their hair, paint on tattoos, and create new clothes for them. I would invent elaborate stories: fights, dramas, successes. I would try out my ideas on them. And sometimes they would sing!
We're looking at a lot of race cars as inspiration for our starships. It's wonderful. It's surreal. I didn't want to be a writer. I wanted to be a Star Trek writer, so to be able to craft a new iteration of the show with new characters and a whole new adventure and whole new way of telling stories that you haven't been able to tell on Star Trek is honorable and it's a dream come true. It's hard to articulate that.
When I go to the movies, one of my strongest desires is to be shown something new. I want to go to new places, meet new people, have new experiences. When I see Hollywood formulas mindlessly repeated, a little something dies inside of me: I have lost two hours to boors who insist on telling me stories I have heard before.
My parents were involved in community theater in New Jersey. Instead of hiring a baby sitter, they would take me with them. So my love of acting seeped in from watching my parents and seeing them having fun.
There had been talk about me getting involved with the new team in Houston. I don't know if it's something that will become a realization, but it would be something that I would love to do.
Find a way to say yes to things. Say yes to invitations to a new country, say yes to meet new friends, say yes to learning a new language, picking up a new sport. Yes is how you get your first job, and your next job, and your spouse, and even your kids. Even if it's a bit edgy, a bit out of your comfort zone, saying yes means that you will do something new, meet someone new, and make a difference in your life. Yes lets you stand out in a crowd, be the optimist, to stay positive, be the one everyone comes to. Yes is what keeps us all young.
The opportunity to be able to tell long-form character stories is something that TV affords and is therefore a terrain that a lot of filmmakers are interested in exploring.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
There are so many wonderful classic roles, but I also would be really interested in developing something brand new. I think my heart would probably be in developing something brand new; I think that sounds really exciting.
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
Throughout my career, I had a lot of mentors, and I just adopted them. What I found is that, especially if you're young, when you go up to people and say, 'Would you mind being my mentor?,' their eyes widen. They literally step back. What they're thinking about is the commitment and time involved if they say yes. And time is something they don't have. So I would not ask them to be my mentor, but I would just start treating them like it. And that worked very well for me.
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