A Quote by Tony Ferguson
Starting at age 6, I was helping install the Formica table tops with that strong glue. My dad was the master. I was the apprentice. I'd be in there working until I'd be telling him, 'I feel woozy,' and he'd say, 'Go outside, son.' So I'd go organize his tools. He used the best ones made.
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Often nothing keeps the pupil on the move but his faith in his teacher, whose mastery is now beginning to dawn on him .... How far the pupil will go is not the concern of the teacher and master. Hardly has he shown him the right way when he must let him go on alone. There is only one thing more he can do to help him endure his loneliness: he turns him away from himself, from the Master, by exhorting him to go further than he himself has done, and to "climb on the shoulders of his teacher."
My dad was working abroad, in Iraq, and he was a doctor. We used to go and visit him, in Baghdad, off and on. For the first ten years of my life, we used to go backwards and forwards to Baghdad, so that was quite amazing. I spent a lot of time traveling around the Middle East.
Sometimes I feel tomorrow is the last. Some days I feel like I can go for years. I think my goal is that I enjoy coaching. I don't think I want to stop working. I think my dad worked in steel work for almost 50 years. The minute you saw him stop working you could see him go apart. I don't want to do that.
My dad had a soccer school that he used to run, the Mark Chamberlain Soccer Academy, I used to go to that for two years until the age of seven.
I give haircut to my son. I have made him learn mathematics table. I have also made him learn some spellings and grammar. I feel lockdown has made me more responsible as a mom.
At the core of these movies, Saw One and Saw Two, it's a very real situation. A guy cheats on his wife and didn't value what he had. It's the same thing in my story. Being a dad and playing someone whose last words to his son were 'go to hell'. I say to my son, the last thing I say is 'I love you'.
I was completely surrounded by religion from a young time. I was taught by my father. I engaged in discussions with him and many of these scholars who visited and came around the dining table, the lunch table, and attended many lectures with my dad. And so I learned the apprentice way.
I see myself used in terms of reading mismatches. If it's small, go inside. If it's big, come outside. And if it's in between, then work him, make him think you're going outside, go back inside. Just play chess.
Do not give back to his master a servant who has gone in flight from his master and come to you: let him go on living among you in whatever place is most pleasing to him.
My mom used to be concerned 'cause I would never go outside. And when I'd go outside, I'd have friends, but I just was always in the house listening to music, practicing DJing all the time. Then my uncle got a keyboard, drum machine, so I'd just be in the house at 12, 13, just, like, messing up his presets. And my mom was like, 'My son is strange.'
When Claude Debussy studied at the Paris Conservatory from age ten to age twenty-two, many considered him a rebel because of his treatment of dissonance and his disdain for the established forms. He reputedly turned to a fellow student during a performance of Beethoven with the words, "Let's go. He's starting to develop.
Apprentice is the beginner - the first years you work in a craft in the European sense you are an apprentice. That takes 3 or 4 years. Then you are a journeyman. You can go from one master to another and learn other tricks and other secrets.
For books [Charles Darwin] had no respect, but merely considered them as tools to be worked with. ... he would cut a heavy book in half, to make it more convenient to hold. He used to boast that he had made Lyell publish the second edition of one of his books in two volumes, instead of in one, by telling him how ho had been obliged to cut it in half. ... his library was not ornamental, but was striking from being so evidently a working collection of books.
I've spent some time working with a non-Italian designer; I've been helping him organize fashion shows, the advertising, also helping with the creative part. But the great part about this work is that I am no one!
I’ve spent some time working with a non-Italian designer, I’ve been helping him organize fashion shows, the advertising, also helping with the creative part. But the great part about this work is that I am no one!
I remember I used to think my dad was really cool working at a factory. He used to make buttons. I used to brag, 'This button here, My dad made it.' There was this sense of pride. It's knowing your dad is doing something cool.
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