A Quote by Torbjorn Tannsjo

Once we realise that utilitarianism comes with the idea of blameworthy rightdoing (such as when you push a big man onto the tracks in order to save five lives) and blameless wrongdoing (such as when you don't push a big man onto the tracks in order to save five lives), then utilitarianism all of a sudden appears to give the right answers.
I became a physician in order to help save lives. I am at once a physician, a citizen, and a woman, and I am not willing to stand aside and allow the concept of expendable human lives to turn this great land of ours into just another exclusive reservation where only the perfect, the privileged, and the planned have the right to live.
An essay is something that tracks the evolution of a human mind. It tracks the evolution of a single consciousness in order to give us an experience - an experience of looking for something and then finding ourselves in a different place by the time we've finished our journey.
My big frustration in New Order was that they played the same tracks all the time.
Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.
If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.
The idea of giving your talent for free in order to save lives seemed like the most sensible thing anyone's ever suggested.
For AERO, I wanted to revisit in 5.1 some existing tracks in order to give them that space I had imagined when I originally composed them, and also to compose some new tracks for this new technology. All of the existing tracks in AERO have been performed with the original instruments, re-recorded and spatially arranged/spatialised for this new dimensional sound experience without betraying their very essence.
If I was given the choice between having the world back and having you, I wouldn't be able to give you up. Not to save five billion lives.
That’s how you tell what a man’s really made of. It’s one thing for a man to be big and brave and kill a spider. Any man could do that. Trailin’ after a woman when she’s shopping for thongs and push-up bras is a whole other category of man. And then if you want to see how far you can go with it, you ask him to carry one of those little pink bags they give you.
As a producer, it starts when I talk about privacy and silence. It starts before anybody believes in it. And I think that's, you have to have a real sense of self, and in order to push things through. And so often, what's interesting, is how many people dismiss an idea that eventually everybody [gloms] onto. So to me it's, that's what I mean by hard.
I hope that the responsible figures in the Ukrainian leadership will not hinder soldiers in the Ukrainian army from putting down their weapons, if they aren't capable of taking that decision themselves and giving that order, then I hope that they won't prosecute people who want to save their lives and the lives of others.
As center you can push the ball. If you're a big man and you can push the ball, or you can run fast, you can make a difference in the game.
I think for five lives, 10 lives, 15 human lives, we could save a million, two million, 10 million non-human lives.
There are two kinds of people in this world, son. Those who save lives, and those who take lives." "And what of those who protect and defend? Those who save lives by taking lives?" "That's like trying to stop a storm by blowing harder. Ridiculous. You can't protect by killing.
What else does a manager do but push buttons? He doesn't hit, he doesn't run, he doesn't throw, and he doesn't catch the ball. A manager has twenty-five players, or twenty-five buttons, and he selects which one he'll use, or push, that day. The manager who presses the right buttons most often is the one who wins the most games.
A big hook can be great; you'll have a big opening. But if you haven't got the right foundation, you're never going to keep that train on the tracks.
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