A Quote by Tori Amos
In order for my live performance to work, which is about generating a focused energy for about an hour and a half, it is necessary for me to listen and take in someone else's focused energy the day of or the day before the live show. That can transpire through a conversation, or inspiration can occur by looking through any type of visual book which sparks a narrative. That narrative then becomes today's seed and can then take root in music terms, where a sonic tree begins to grow.
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Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.
It is the first day because it has never been before and the last day because it will never be again. Be alive, if you can, all through this day - today - of your life. What's to be done? What's to be done? Follow your feet. Put on the coffee. Start the orange juice, the bacon, the toast. Then go wake up your children and your spouse. Think about the work of your hands. Live in the needs of the day.
Then idiots talk....of Energy. If there is a word in the dictionary under any letter from A to Z that I abominate, it is energy. It is such a conventional superstition, such parrot gabble! What the deuce!....But show me a good opportunity, show me something really worth being energetic about, and I'll show you energy.
My idea in terms of managing a narrative, or in thinking in my creative life, is that you could easily argue that the past, the present and the future all occur simultaneously, and if you can postulate that, then you're not strictly bound to a linear narrative.
When I start on a film I always have a number of ideas about my project. Then one of them begins to germinate, to sprout, and it is this, which I take and work with. My films come from my need to say a particular thing at a particular time. The beginning of any film for me is this need to express something. It is to make it nurture and grow that I write my script- it is directing it that makes my tree blossom and bear fruit.
It's common to say that trees come from seeds. But how can a tiny seed create a huge tree? Seeds do not contain the resources need to grow a tree. These must come from the medium or environment within which the tree grows. But the seed does provide something that is crucial : a place where the whole of the tree starts to form. As resources such as water and nutrients are drawn in, the seed organizes the process that generates growth. In a sense, the seed is a gateway through which the future possibility of the living tree emerges.
I was very focused, driven, rigid, work-oriented. I didn't care about having a family or making a home. I didn't think about kids. It's not that I didn't want those things, I just didn't think about them. And then I had someone who came in as a tornado, this creative, beautiful ball of insane energy and passion. And it completely opened me up.
Soon it will be daybreak. Soon the day will break. I can't stop it from breaking in the same way it always does, and then from lying there broken; always the same day, which comes around again like clockwork. It begins with the day before the day before, and then the day before, and then it's the day itself. A Saturday. The breaking day. The day the butcher comes.
Once you get within a few weeks of the show and it becomes WrestleMania season, the energy starts picking up, and the energy feels different. You can feel it in the air, and every show means a little bit more, and everything is a little more focused and directed. Everything's directing toward that day of WrestleMania.
Just take it a day at a time. If you think, "I'm never drinking again in my life," you're setting yourself up for failure. But if you just think, "I'm not drinking today," then get through that day and just stay consistent. Consistency is basically the root to everything; it's the root to all success. Consistency is key.
It [live performance] is just very difficult. Doing an hour, hour and a half of live standup is an endurance test. You almost have to do it every day to stay up on it.
I dont want someone else to go through and live through the life that I have had to live through in terms of the challenges that I face.
Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate.
I don't want someone else to go through and live through the life that I have had to live through in terms of the challenges that I face.
I live a day at a time. Each day I look for a kernel of excitement. In the morning, I say: 'What is my exciting thing for today?' Then, I do the day. Don't ask me about tomorrow.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
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