A Quote by Tori Kelly

Why do we even use hashtags? It's just like a sub-thought. Who clicks on hashtags? Nobody. — © Tori Kelly
Why do we even use hashtags? It's just like a sub-thought. Who clicks on hashtags? Nobody.
I am the queen of hashtags! I love hashtags. I think in hashtags. I wish I could write everything in hashtag.
I hope my actions speak more for me in the future than my hashtags!
The problem with hashtags is if someone starts a new hashtag, people move on.
I was in Shanghai recently, where Twitter is blocked, and yet there were ads and billboards across town with hashtags on them.
While social media can play an important role in spreading messages and democratizing access to ideas, hashtags without organization end up fizzling out.
If you want reach fans on-line definitely pay attention to things like hashtags and to what's trending at the moment. Try to connect to what's hot and to reach out to and to follow the right people. You never know who might re-tweet you and help you get some more followers.
The semiology and phenomenology of hashtaggery intrigues me. From what I understand, it all began very simply: on Twitter, hashtags - those little checkerboard marks that look like this # - were used to mark phrases or names, in order to make it easier to search for them among the zillions and zillions of tweets.
Hashtags are powerful, but they aren't powerful enough.
Twitter is 'Black Twitter'. That is a brand that 'Black Twitter' has given itself. That's where the hashtags happen... where the excitement is.
Despite the metadata attached to each tweet, and despite trails of retweets and 'favorite' tweets, the Twitter corpus lacks the latticework of hyperlinks that makes Google's algorithms so potent. Twitter's famous hashtags - #sandyhook or #fiscalcliff or #girls - are the crudest sort of signposts, not much help for smart searching.
Nobody sang better than my mom. That's why I've never even thought of singing for singing sake. I've always thought of a song as an acting piece, as a way to say something.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
Why would you not have a robot that looks like Abraham Lincoln? Why would it look like an erector set? Why use a computer with a punchcard, when you could use one with a touch pen on the screen? Why a car, when you could use a jetpack?
Why can' t everyone just smoke like me? Just gimme a quiet place and lemme roll my weed, where ain't nobody in my business don't nobody gotta know let all your conscious go and blow it by the O
Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.
Meditation is to attain to a no-mindness, to a state of no-thought. In that opening of no-thought, in that kind of space, suddenly you become pure, innocent, uncorrupted. You have never been like that before nobody has ever been like that before nobody is going to be like that again. Unique. And to know that is to realize one's self. To know that is to know all. If you have not known that, whatsoever else you know is just rubbish, garbage.
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