A Quote by Trevor Jackson
When you say 'R&B,' people's minds automatically go in a place. How about I just say, 'Here's a tape; you can check it out on iTunes. You tell me.'
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If I get an iTunes check, I take the money out and say, 'OK, with this money I'mma go shoot me this many videos, with this money I'm going to do this amount of studio sessions.'
I'm not going to lie. I check the iTunes charts. It's all about the iTunes charts. I only go on the Internet for the iTunes charts and basketball blogs.
There's been some people I've overheard talking about 'Mindhunter.' I'll lean in and say, 'Hey, I haven't seen it yet. Is it any good?' And they'll say, 'Yeah, you should go check it out.'
Most of the stats say that 90% of people who buy a book or check one out of a library would never get past the first chapter. To me, the title better say everything there is to say about the book.
When I am introduced as someone from New Orleans, people sometimes say: "I'm so sorry." New Orleans. I'm so sorry. That's not the way it was before,not the way it's supposed to be. When people find out you're from New Orleans, they're supposed to tell you about how they got drunk there once, or fell in love there, or first heard the music there that changed their lives. At worst people would say: "I've always wanted to go there." But now, it's just: "I'm sorry." Man, that kills me. That just kills me.
The difficult notes are when they say, "And this is how we want you to fix it . . ." Just tell me what the problem is. Just tell me what the issue is, and I'll go off an fix it. It's usually when executives get to a place where they're trying to fix the problem for you that you have issues
Listening is terribly important if you want to understand anything about people. You listen to what they say and how they say it, what they share and what they are reticent about, what they tell truthfully and what they lie about, what they hope for and what they fear, what they are proud of, what they are ashamed of. If you don't pay attention to other people, how can you understand their choices through time and how their stories come out?
Going from Army base to base as a kid taught me to be a man of all nations. I'd go to the Jewish people and say, 'Shalom, brother.' I go to the Muslim people and say, 'Salaam aleikum.'I go to the Chinese people and say, 'Nee hao mah,' which means, 'How you doin'?' I go to the Japanese people and say, 'Konnichiwa.' I go to San Antonio, Texas, and I get along with Mexicans. Then I go to Louisiana and hang with the Creoles. Moving around a lot made me a man of all people.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
I never worry what people think about me anymore. Just go out and say what you need to say. People worry about people so much.
The best way to tell somebody how to figure out how to relax the tongue is to just say, well, notice where it is when you aren't doing anything. That's the relaxed tongue. It's not about putting it somewhere. It's about letting it be where it wants to go.
When you say, "there's no reason [to hit a woman]" that kills any examination as to how two people ended up at that place. When you say, "there's no reason," you cut out the build-up and you're just left with the act. How you gonna solve it if you don't figure it out?
I criticize a lot of players and coaches. But I back it up with facts. A lot of times guys get mad at me because someone told them what I said. I say, 'You're wrong: Go check the tape.'
I criticize a lot of players and coaches. But I back it up with facts. A lot of times guys get mad at me because someone told them what I said. I say, 'You're wrong: Go check the tape.
People say nice things to me -- like that I ought to run for president -- which tells me that they like me. But I have my own deadline for how long I should be in Washington. I think you can get accustomed to red tape and many unfair things that go on in government. Once you stop getting angry about inefficiencies, waste, and injustice, you ought to get out. That's my time limit.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
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