A Quote by Trevor Noah

People should always be wary of that because the precedent is set. And it's so much easier to build on a foundation than it is something that doesn't exist. So you see it as something that's happening to people that are not you. And then it expands, and it expands further. And then, one day, you're on a registry.
People tend to set themselves up in patterns; something happens, it hurts them, then something similar happens, and - it's happened again! It seems much bigger then, and they get worried and go through life looking for that thing, and because they're so concerned and looking for it, when anything that happens resembles that thing, they're sure it's happening again. So sometimes people think things are repeating even when they're not.
Beauty is something we can affirm and intend to have more of. What happens then is our perceptual ability, no matter where we are, expands in that direction.
I love the idea of something beautiful happening, and then it being abrasively cut into. Because in a way it's similar to switching channels or surfing the web; I like people getting lulled into something and then taking them somewhere else.
If the whole world is evil, then the tragedy that befell you is justified," she went on. "That would make it easier for you to accept the deaths of your wife and daughters. But if good people do exist, then, however much you deny it, your life will be unbearable; because fate set a trap for you, and you know you didn't deserve it. It isn't the light you want to recover, it's the certainty that there is only darkness.
It's a zero sum game: the Court either expands individual rights or expands the government's right to regulate individuals.
Paul Schofield said something like, 'If I'm not acting in a play, I don't really exist.' Those weren't the exact words, but he meant it's only when I'm acting in a play that I've got something to say about the world. And then why should I talk, when people can come to see it?
How can you see something that isn't there?" yawned the Humbug, who wasn't fully awake yet. "Sometimes, it's much simpler than seeing things that are,"he said. "For instance, if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones." "Then where is Reality?" barked Tock. "Right here,"cried Alec, waving his arms.
I've always had a problem with conventional punctuation of dialogue because it does seem to me to set it off too much from the narrative. I mean, in life, things don't stop while somebody says something, and then stuff starts up again; it's all happening at once.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
There's always something ridiculous happening on the set, especially when people get tired because of the long days.
I always like to make people happy, make them have a good time. It's pretty obvious if the room is dead - if no one is cheering or singing or whatever, there's obviously something wrong. I always try to look for euphoric feelings, things people are excited that they're hearing, and then I build from there. It's hard to explain, actually. When I'm in the mood, I just feel it. Now they need something with vocals, now they need something hard, something soft.
My activism really is for myself, because I see places in the world where I feel I should be. If there is something really bad, really evil, happening somewhere, then that is where I should be. I need, for myself, to feel that I have stood there. It feels a lot better than just watching it on television.
When you're playing Shakespeare, it forces you to think and feel and speak all at the same time, which really is what acting is. It expands your imagination and expands your size of thinking.
Each industry in a region should develop a playbook that expands and details the strategy and tactics of how to build a scalable startup.
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