A Quote by Trevor Rabin
When you listen to a Yes album, you should listen to the whole thing through headphones with the lights off.
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If I can put on my album in a car or on my headphones and listen to the whole thing and love it, that's what I'm going to be happy putting out there.
I listen to 'Purple Haze' a lot. If I'm in the gym, I listen to that album the whole way through sometimes.
I grew up in a house full of musicians, and my mum really taught me that when you listen to an album, you respect that it's somebody's art, and that the B-sides are just as important as the singles, and we should really listen to the album all the way through the way it was intended to be listened to.
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
I just don't think people listen. I mean, they can't listen to a whole album closely without checking their iPhone or wanting to skip to their favorite song, or putting something else on, practically. That's why the zone out is a good thing.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
We listen to the greats. I'm not going to listen to average rap when I can listen to an Outkast album.
When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.
I don't like headphones very much, and I rarely listen to music on headphones.
My best album is called In Search Of A Song. That was my best shot right there. My finest hour, as they say. I could listen to the whole thing all the way through. There's nothing really crammed into it.
You should listen to songs and listen to what works. Listen to why a song is a hit. Check it out-not to imitate it, but there are certain things that work-hooks and melodies. Hear what works through the ages.
One of my favorite things to do is sit around and listen to old records... You're forced to listen to the whole thing. And it's so cool digging through the bins trying to find them. I get giddy about records.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble.
Music to me was never something that I could listen to while reading a book. Especially when I was studying music, if I was going to listen to music, I was going to put on the headphones or crank the stereo, and by God, I was going to sit there and just listen to music. I wasn't going to talk on the phone and multitask, which I can't do anyway.
That's the thing: when I listen on public transport, my headphones act as a separator - a wired barrier between me and the nearest people. Yet my podcasts drag me through the depths of human nature.
With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.
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