A Quote by Trevor Horn

I used to go with him and I'd sometimes play, take over from him. That was my first taste of the music business, I suppose, but I was also in the youth orchestra at Johnston Grammar.
I used to love watching him as a player, so it is a joy to play alongside him. I might take the mickey out of him, but deep down I have so much admiration for him.
My dad's a photographer. So I suppose he named me Ansel just in case I would take over the family business. I guess I failed him.
When my son first started to take the subway, my husband and I used to follow him to make sure he was all right, and then we had to stop following him and let him do it by himself.
I used to watch Monte Irvin play when I was a kid. I idolized him. I used to wait in front of the ballpark just for him to pass by so I could see him.
There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.
It was my first big relationship and it was just very abusive. I wouldn't give him the credit of naming him, if he ever reads this. But he was older, in the music business - or so he said.
We ought to take him offshore and dunk him 10 feet underwater and pull him up and ask him What's that all over your face?
My notion about any artist is that we honor him best by reading him, by playing his music, by seeing his plays or by looking at his pictures. We don't need to fall all over ourselves with adjectives and epithets. Let's play him more.
When it comes to Christ, you've got to do the same. Call him crazy, or crown him as king. Dismiss him as a fraud, or declare him to be God. Walk away from him, or bow before him, but don't play games with him.
I was friends with Cube; he was also a fan of mine, and I a fan of him. Even before Balistyx happened I was hanging out with him, taking him to 'The Arsenio Hall Show' for his first time. I was like, 'Ice Cube, I've got a plus 1, you should go,' and I took him. Cube wasn't known at all yet.
Wayde yelled, and I hit him again, adrenaline pulling a scream of outrage from me. He went quiet, and I held my breath to make sure I could hear him breathing. I suppose I could have used my magic on him, but this was a lot more satisfying.
The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards.
I've also built my own business, and obviously it's a brand that I've built and it's wholly owned by me and something that certainly my experience observing him and working with him and for him has informed how I make business decisions around my brand. But it's my company.
You, that have toiled during youth, to set your son upon higher ground, and to enable him to begin where you left off, do not expect that son to be what you were, - diligent, modest, active, simple in his tastes, fertile in resources. You have put him under quite a different master. Poverty educated you; wealth will educate him. You cannot suppose the result will be the same.
I see myself used in terms of reading mismatches. If it's small, go inside. If it's big, come outside. And if it's in between, then work him, make him think you're going outside, go back inside. Just play chess.
Maradona? You couldn't match him, but you could learn a lot from him. I did not play much, but I did learn plenty from him at Napoli. He was the best striker in the world and I was so lucky to have played with him. Some of the things he used to do you couldn't even dream about. It was absurd.
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