A Quote by Trey Songz
Singing is all about certain inflection on certain lines. I used to listen to tapes of everybody from Michael Jackson and Prince to Earth, Wind and Fire. They would have different vocal inflections. If the line insinuated pain, they would cringe on some lines.
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Remember when we was young, everybody used to have these arguments about who's better, Michael Jackson or Prince? Prince won!
One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.
There's certain classes you have to take, certain things you have to do, certain money you must have. Then, if you listen to the counselors and social workers and everybody else talking at you, you would think that once you got out of high school and college, life would be beautiful. But it's not.
[Barack] Obama can draw lines for himself and his country, not for other countries. We have our red lines, like our sovereignty, our independence, while if you want to talk about world red lines, the United States used depleted uranium in Iraq, Israel used white phosphorus in Gaza, and nobody said anything. What about the red lines ? We don't see red lines. It's political red lines.
On `Earth Song' I was the military guy that would come out of a tank that was used during the show. It was unbelievable; somehow I'd become a Michael Jackson fan that got to dance with Michael Jackson! I spent a lot of time wondering, "what the hell did I do right to deserve this?"
I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.
As kids, we were at concerts like Michael Jackson every weekend. My first concert was Earth, Wind and Fire.
My parents played the Bee Gees; Earth, Wind & Fire; Michael Jackson. The best pop music to infiltrate a child's mind.
You know how you either grow up in a Michael Jackson house or a Prince house? For me it was Michael Jackson. I could never decide whether I wanted to be Michael Jackson or marry him.
If you got every single artist in the world in one room, and you put Miles on one side and Prince on the other side, those are the two people that everybody would be trying to get a glimpse of. And Michael Jackson would be the other one.
There are movies that require fantasy and slightly more fantastical acting. Lines that are good for certain movies, in real life circumstances, would be absolutely unbelievable things to really say, and you would look at these people like they're freaks for conversing that way. But somehow for certain styles of movies, it works, and it seems fine.
That has been everybody's challenge, above the dancing, the singing, the lines: getting into who these characters would be in 2015. Today's Tin Man is heartfelt, but he wouldn't be soft. Today's Dorothy would be sassy.
I have preferred to teach my students not English literature but my love for certain authors, or, even better, certain pages, or even better than that, certain lines. One falls in love with a line, then with a page, then with an author. Well, why not? It is a beautiful process.
When I was a kid, all I knew about Michael Jackson was that he was crazy. He had a monkey named Bubbles and some kind of oxygen chamber, and he used to be black, but he made himself white, and he was nuts. That was Michael Jackson in full. Wacko Jacko.
I've always been - as a teacher, as graduate student, as a student, and I think, really, as a child - I've been interested in poems, but not so much for what the take home pay is, what you might sum up from them in moral or intellectual terms or whatever, but what's in the certain lines and how lines relates to other lines.
When I was a boy, my older brothers listened to Earth, Wind & Fire and Kool and the Gang. When I would try to get into their room, they would close the door and say, 'You can't hear that. It's not for a child!' Now, I can listen to it and enjoy it.
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