A Quote by Trixie Mattel

I plan to publicize my breakups and profit from them like other celebrities. — © Trixie Mattel
I plan to publicize my breakups and profit from them like other celebrities.
I'll turn on the TV or look at a magazine, and it's like, 'Who is this person?' And you find out they are from '16 and Pregnant,' and I'm like, 'Really? They're celebrities now?' You read about them on the news having fights and breakups, and I think, 'Well, of course.
I'll turn on the TV or look at a magazine, and it's like, 'Who is this person?' And you find out they are from '16 and Pregnant,' and I'm like, 'Really? They're celebrities now?' You read about them on the news having fights and breakups, and I think, 'Well, of course.'
Celebrities say they date other celebrities because they have the same job. But I think they just like dating famous people. Celebrities attract each other, like cattle.
Gawker was a site built to destroy lives. Its mission was to discover the worst moment in a person's life - and then publicize it for profit.
Everyone wants to talk about terrible breakups. Breakups are horrible, they're relatable, and people do them badly. Everyone has a story of a terrible breakup.
What's awesome about social media is you curate your own experience. That leads to the rise of niche celebrities, who are actually just as popular as mass celebrities, but because there's no incentive for traditional media to invest in them as celebrities, they find a home where people can follow them on Instagram.
I don't feel like so many other celebrities' kids, who hate their parents for abandoning them.
We hope to organize team residencies and a conference bringing together professionals from Latin America and from other groups around the world who are also focusing on this issue. We want to bring them together so we can learn from each other, and then widely publicize our conclusions.
For me, the sketchbooks are more like a secret and wholly spontaneous jeu d'esprit and some of them I like as much as anything I have ever done. They are invariably without premeditation. I mean not only that I have no plan when I make them, I also have no plan to make them.
I was doing a show in L.A. called 'Celebrity Autobiography,' where celebrities read excerpts from other celebrities' books and hang themselves with their own rope.
I've been lucky because my films have consistently made a profit, almost all of them have made a profit. Never a huge profit, but nobody gets hurt. And therefore I get a lot of freedom.
We do express our emotions, our reactions to events, breakups and infatuations, but the way we do that - the art of it - is in putting them into prescribed forms or squeezing them into new forms that perfectly fit some emerging context. That’s part of the creative process, and we do it instinctively; we internalize it, like birds do. And it’s a joy to sing, like the birds do.
Too often, clients want us to give them a one-size-fits-all crisis management plan from off the shelf. Some of our competitors do this because it's fast and cheap. They build a plan once and keep using the same plan over and over with other clients.
At some point in my life I realized I knew only celebrities, I didn't know any real people. I think it was a master stroke of Fate that in researching the greatest celebrity of them all, I would at last be meeting real people, finding them more extraordinary than celebrities; fascinated by them all and enjoying enduring friendships with some.
You're raising a kid and you give it food and shelter and, most importantly, you give it the feeling that it's special. I think people react to celebrities like that - I mean, they treat celebrities like children.
Selling scent is a key job for celebrities. At any one time, there'll be hundreds of them at it, going on the world's talk shows, doing photo-shoots, providing employment for thousands. Celebrities are instant brands.
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