A Quote by Troy Polamalu
Anybody who's away from what's normal is just kind of pushed aside as, 'Oh, he's crazy.' But in reality, this world is crazy. It's just chaos everywhere. It's really hard to be part of this world, because it's very possessed. And very egocentric.
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I call myself good crazy because I am a crazy normal. But who is normal really? Are you normal? Maybe you are, but I don't think a lot of us are normal. I think a lot of us are scared to say that we are a little crazy. I'm a little crazy that is just the way it is. I look in the mirror now and I like who is looking back at me. I am comfortable in my skin for the first time in my life. I have let a wall down.
You push so far past the normal boundaries of what’s O.K. in society. I’m always fully aware of, ‘You can’t do this’… When someone really believes in what they’re saying, but it’s crazy, it’s like my favorite thing on earth… [But] Crazy’s just crazy and there’s nowhere to go. You can have a point of view, it can be very strange, but we have to know your reasoning.
You don't scare me, Cadence Jones. I've lived with crazy, I've ridden with crazy, I've vacationed with crazy, I've visited crazy in various hospitals, I've sat in on therapy sessions with crazy. Frankly, I think women who don't have major emotional disorders are really very dull.
We're either awake or we're sleeping. During the time that we're awake, we work very hard at denying things, mainly because we have to function as people. We have to control and repress everything that we're fearful of, because it doesn't make sense to go crazy on the streets, but in reality we hide and we hide, repress and repress, our fears of the world of violence, of separation, of death, and sometimes hopes, and some things that are very joyful, reunions or all of those good things. It's only in dreams that we're really truthful with whatever hurts most; they're really very real.
I've been having meetings with people, just everywhere in the world, and it's like, 'Hey, really love you to work with me, send me some ideas.' That's the crazy part.
Of course there have been times when I've done crazy things. But I don't think I'm crazy. I just grew up in a crazy world.
Art was a last, desperate attempt for me to be able to exist in the world after trying very hard not to exist in the world and realizing that it was just my lot to be a person and to live in the world. See, the normal world dissolves in these experiences, and you realize that it is just an illusion. But, inevitably, I just kept landing back in the middle of it.
It's really an interesting crazy world where like ultimately you have to work your ass off and sacrifice a lot in your life and the end goal is personal and financial gain. You know, it's not like you're doing anything helpful to the world. You're really just trying to get ahead and to beat out the next person and to be on top and at the very top of those financial firms, like the people that make the crazy amounts of money I mean that's what their after.
Miami is just really fun whenever I go there. It's like this post-apocalyptic Barbie world: everything is pink, and there're palm trees everywhere. But then there are also all these people in crazy sunglasses, warehouses with sick parties where all the girls are covered in spikes and black leather. It's a very weird place.
John Belushi infused Animal House with this spirit of guerilla filmmaking. John Landis came from that world too, and all the National Lampoon writers were from that world. It was just chaos on film. Controlled chaos, though. We stayed very close to the script. It was a very formal kind of movie, if you look at it. Formally photographed and structured, with certain elements of improv.
A lot of the people who live the lives of 'Crazy Rich Asians' don't see the humour of their lives simply because this is just who they are. Even though I'm from that part of the world, I'm no longer part of that world.
Fundamentalists are crazy. They're the real world equivalent to the evil geniuses of our spy fiction and our superhero comics. They want to mold the world into a specific shape that they really believe in, and if you don't believe in that, if you can't relate to that, it just seems crazy.
Calculated risks are part of what you do, but the idea that something completely crazy will work just because it's completely crazy is completely crazy.
If we are crazy, then it is because we refuse to be crazy in the same way that the world has gone crazy.
My mother was very good about giving us a life that was, let's say, as normal as it could be, not a crazy jetting life at all. That's been helpful. It's given me the drive to be someone in the world rather than just sitting around.
The perception that I was just a pop star was pushed upon me by the public, and it's very hard to change the public's perception even though I never really pushed aside the musician aspect of my career. After I released 'Fingerprints,' my peers reassured me that I was on a level that I always hoped I would be on.
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