A Quote by Triple H

My goal is to make that must-see television so that you have to have the Network. My goal is to make 205 Live the place to see high-flying in a big way. If you're a fan of the U.K. style, then the Network is the place to go get that style.
I loved Eddie Guerrero, Rey Mysterio, Rob Van Dam, I was a big fan of any of the big, flashy high flyers. They had that high flying, high intensity, and high impact style.
I don't have a specific style. My style is unorthodox; that is my style. So you can't really place me here, place me there, because my style is just to be anywhere, you know what I'm saying?
Tokyo style is so specific. And I'm a very big fan of their history. It's pretty simple. A lot of the time, people expect to see the wild style that comes out of Japan, but I think, traditionally, the style is very simple.
When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
I don't have a stylist. That, in a way, is cheating. Put five players in a thrift store and see who has the best style in the end, and then you'll see who has real style.
Everybody wants to have a goal - I gotta get to that goal, I gotta get to that goal, I gotta get to that goal. I can finally get to that goal. Then you get to that goal, and then you gotta get to another goal. But in between goals is a thing called life, that has to be lived and enjoyed - and if you don't, you're a fool.
Here's my goal: I want to make a seriously dark show, and not on a network that has ever done that.
Since the 1970s, I've been a big fan of attending conferences as a great way to learn, network, socialize and enjoy a new environment. It's always refreshing to get out and see a whole new world.
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
I'm a huge fan of good, procedural-type shows on television... there are a lot of roles for women. But there aren't a lot of great network television roles for girls that will let you start a character in one place and finish up with her in a totally different one.
You audition, and then you go and do what's called a test, your network test. So you have to go in front of the network and do it, and the network has to sign off on you.
People from other teams want to play in St. Louis and they're jealous that we're in St. Louis because the fans are unbelievable. So why would you want to leave a place like St. Louis to go somewhere else and make $3 or $4 more million a year? It's not about the money. I already got my money. It's about winning and that's it. It's about accomplishing my goal and my goal is to try to win. If this organization shifts the other way then I have to go the other way.
The only way to make podcasting a real big business would be if you could somehow get the top seven podcasters to team up and make a mega-network.
It's better to set a big goal to try and then fail than to never set a goal in the first place.
We must have a theme, a goal, a purpose in our lives. If you don't know where you're aiming, you don't have a goal. My goal is to live my life in such a way that when I die, someone can say, she cared.
It's almost inherent, but I'm a massive Stanley Kubrick fan. I'm a big admirer of what guys like Christopher Nolan have been able to do. For me, to be able to try to make big films that reach a lot of people, and that hopefully have something to say, is a lofty goal, but that's my goal.
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