A Quote by Travis Fimmel

I'm always getting texts asking why I'm not responding on Instagram or Facebook, and I'm like, 'It's not me. You're writing to some stranger.' — © Travis Fimmel
I'm always getting texts asking why I'm not responding on Instagram or Facebook, and I'm like, 'It's not me. You're writing to some stranger.'
Instagram - it's fun, but Facebook, no, just here and there. I use Instagram as a kick, like when somebody tells me to check out so-and-so's Instagram account to check out their French toast or a trip to Tanzania. But I don't have an account.
Sadly, it seems as if there is no longer any real history. Just momentary reactions to events that disappear like sky-writing with items like Twitter, texts, Meerkat, Snapchat, and Instagram.
Sometimes I'll write a tweet that I'll just be like, 'Why do I have to say this to all of these people?' It's like writing a Facebook status: it's the same. I view tweeting as like writing a Facebook status. Remember when we used to write statuses?
When 'Game Of Thrones' came out, lots of interviews were coming in, and people asking me to do certain things which would push me out there. Like this whole Instagram and Twitter thing - getting more followers doesn't bother me at all.
I know that Instagram belongs to Facebook, so I cannot really stand on a political pedestal and say, "I'm against Facebook!" But I haven't wanted to be on Facebook from the beginning.
Middle school left some scars, as I'm sure it did for many of us. When my body started to change, I felt a bit like I was living inside a stranger. People began responding to me differently, which was confusing.
Here's the problem: I don't like who I've become when my iPhone is within reach. I find myself checking e-mails and responding to texts throughout the day with some kind of Pavlovian ferocity - it's not a conscious act, but a reflexive one.
When I'm putting some communication out on Twitter or Facebook or Instagram, I think that it's helping me, my brain, you know, because it's always somehow stimulated by people who are sending things to me. And it works both ways. It's great. My brain is very happy about it.
I had a guy on Facebook for, like, years just asking if he could PayPal me money, and of course I have to say no when, really, I'm just like, 'Why wouldn't I? He doesn't want anything for it.'
I haven't sworn off Facebook. I'm on Facebook. There's a fan page on Facebook that I will update, but I'm on there myself under a pseudonym, because there were a lot of people able to private-message me on Facebook, and it was getting really weird.
The only thing I've consistently been interested in in the last twenty-five years is writing very short texts. That continues to interest me as a project, to contain some part of reality, which is chaotic by definition, in a contained space. I like small apartments. I like getting rid of stuff. I went through my files yesterday and spent hours shredding things. It was great.
I think that writing texts, publishing texts, selling texts in a physical book store is one of the important tools for breeding this new generation.
In the black-and-white world of a girl in her late teens, I thought of things like Internet etiquette as obvious, rule-bound institutions. Facebook was Facebook, texts were texts, emails were emails, chats were chats, webcamming was webcamming, phone calls were phone calls.
Social media is interesting. It helps me connect with fans. It's immediate. It's a big part of my touring business - getting the word out via Twitter, Facebook, and Instagram.
I remember my dad asking me one time, and it's something that has always stuck with me: 'Why not you, Russ?' You know, why not me? Why not me in the Super Bowl? So in speaking to our football team earlier in the year, I said, 'Why not us? Why can't we be there?'
Facebook people are finding me that I don't really know. People poke you on Facebook. I'm like, 'Why? Why are you poking me?'
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