A Quote by Rag'n'Bone Man
When you get to your teenage years, you want to find something that you identify with. It's almost a slight rebellion; you don't want to listen to what your parents listen to anymore; you want to find your own music. That, for me, was hearing the Fugees for the first time.
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It's very unlikely you're a genius, but, if you're ready to work at it hard and you want to listen to music all the time and you want to learn about it and you want to be around the people who do it, you'll find your own way.
How do you listen? Do you listen with your projections, through your projection, through your ambitions, desire, fears, anxieties, through hearing only what you want to hear, only what will be satisfactory, what will gratify, what will give comfort, what will for the moment alleviate your suffering? If you listen through the screen of your desires, then you obviously listen to your own voice.
What [Tulio Serafin] said that impressed me was: "When one wants to find a gesture, when you want to find how to act on stage, all you have to do is listen to the music. The composer has already seen to that." If you take the trouble to really listen with your soul and with your ears - and I say soul and ears because the mind must work, but not too much also - you will find every gesture there. And it is all true, you know.
Christians, just like anybody else, want to have an impact on their lives. And if you can find music that helps you have an impact on your family, on your faith, on yourself, then that's the kind of music you want to listen to.
As a kid, you want to be liked for who you are. You don't want to be liked for who your parents are. You don't want to get a job because of who your parents are. You want to do it on your own, with your own gifts and your own value. So, I decided to spare my kids that and not be as pro-active as my dad was.
Find something that you want to do when you're 60. Find your passion. Your passion, your work, whatever it is that you want to do. Find something that you would do, even if you didn't get paid. Whether it's an art or whether is something that you're passionate about.
There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
I want to talk to you. I want to listen to you. I want to walk with you and, yes, I want you in m bed. That's what I want today. That's what I'll want in a hundred years. If you promise to be my wife forever, I will pledge myself to your happiness.
I want to listen to my Apple Music on my iPhone. I also want to listen to it on my iPad. I want to play it on my Apple TV; I want to be connected everywhere I go. It fits into the puzzle of everything that is Apple, and, therefore, it should not be seen as some sort of separate entity that is trying to find its way.
If you want to play something that you hear, you need to listen with your mind's eye. You've heard of the mind's eye, right? Your mind has an ear too. It's a kind of listening, but it's not using your ears to listen. It's listening with your inner ear, and that's what you want to translate onto the guitar.
When you do comedy, the audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say. Sometimes you're not getting the laughs you want or at the place you want but that doesn't mean it's not funny. It means you haven't explored it enough. I'll get laughs in the places I don't want them and that makes me realize the direction I want to go in.
It's one thing to be able to sing well, but another to be an artist and find your own voice within music. And that's what the goal was for me in my teenage years. I had to find myself.
In music you can find your own niche. You can do what you want to do. There is really no job description. You have to find your own way, and that's fun.
The music that we listen to these days, everything is right there in your face. There's no real mystery. It's not poetic. I want people to think. I want to make people listen to my lyrics.
When we are kids, we imagine that to define ourselves or to find ourselves means charting your own individuality, making your own destiny, and actually running away from your parents and your home and what you grew up with. Of course, as the years go on, we come to find that we become our parents.
It is extraordinarily difficult, even in academia, to find a job that will let you do whatever you want with your time. If you are determined to spend your time following your own interests, you pretty much have to do it on your own.
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