A Quote by Misty Copeland
I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.
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My goal has always been to be a principal dancer with ABT.
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
I absolutely love what I do, and I want to dance for as long as I can and feel good about what I am putting out there on the stage.
The goal for my girls and me has always been about beauty and fashion. Before we ever had the shows, my mom had a store for 40 years in La Jolla, and I grew up working there.
It's never been my goal to be king of the prom. It's been my goal to do the right thing and get the job done.
But I was 22 before I took my first dance class. I had never been athletic, so I was very stiff; I still am. I think what I got mostly from dance was carriage.
I've never tried to drive my career in any particular direction. I've always been an in-the-moment, live-for-today guy. I've never had a goal, and nearly everything I've done has been an accident. I just play to me, and if I can amuse myself, I consider it a victory.
The goal has never been to always succeed. The goal is to be allowed to keep initiating.
Because I'm an American woman, and I write straight plays, it's always been sort of assumed I would never be done on Broadway. But that was never the goal.
I played soccer all my life and I used to think growing up that they put the fat kid in goal or they put the kid that wasn't good with the ball at their feet in goal and I never wanted to do goalkeeper, I was always the goal scorer.
I wasn't a dancer learning to play Baby Houseman. I was Baby Houseman learning to play a dancer. I was someone who'd never done any Latin dance. I'd taken jazz classes and ballet growing up in New York, so I had dance in me, and I knew I loved it, but I'd never done a dance audition.
In the case of 'Everything I Never Told You,' my goal was to make the experiences of a family that had always felt marginalised feel accessible and understandable even to people who'd never been in that situation.
I grew up with the motto of "they can't kill you and eat you," and I still think that's right. You sure as hell can't! When it comes to speaking about my body makes other people uncomfortable but it doesn't make me uncomfortable. It makes them think more about themselves than it makes them judge me. I've always had this body and had to live with it. I've never been a little thing. I've been smaller but I've never been small, even as a baby. I've never had that window into that kind of world where people only talk to you because you're conventionally sexy.
Breaking records has never been my goal. I think it's important that we're continually pushing our limits and showing that we can extend beyond what we have done before.
The goal wasn't to be a millionaire or to be a Hollywood star. That was not the goal. The goal was something about - the goal was to find the goal, but I knew where it was.
I've always been a fan of the band setting. I've always been a believer in bands, and I've always been in bands. That's where my comfort zone is. So to stand outside of that, that was never my intention or goal. I never had the dream of, 'I'm gonna go into all these bands as a spring board for my solo work.' But life takes you on different journeys sometimes. I ended up playing a bunch of songs and some of them I really liked.
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