A Quote by Heavy D

As an artist, there were different levels in my career that brought me to a realization that I am what you would call a pure artist. And I don't say that with any type of vanity.
I am a lifelong career artist, which itself is a bit of a miracle. It's really challenging to be a career artist. I would say that the argument for grant funding is not only did my movie do some social good - hopefully it opened people's eyes - but you created a working artist. I'm hiring cinematographers, I'm hiring production designers, I'm hiring producers.
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
When I was a young artist, and I would go look at other artists' career retrospectives, and I was often disappointed with the lack of story line... What was missing to me was the story of where the artist came from and how they got to where they were.
Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.
To call yourself a Chinese artist or woman artist or African artist reflects a certain kind of condition. To me, that is not necessary.
An artist's career doesn't happen in the cycle of one week of news. An artist's career happens in a lifetime, and if you're a true artist you're willing to die for what you believe in.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
I'm an artist. I'm a gay artist. My preferred identity is, 'any of the sort.' My fans like to identify me as 'she,' but I'm comfortable with who I am, I know who I am and it's all fine with me.
I am the type of artist where you can't tell me anything. I have always been that way. I am right. I don't need any input.
To produce pure proletarian art the artist must be at one with the worker; this is impossible, not for political reasons, but because the artist never is at one with any public.
That would be something I would stress the most to any artist - is, number one, don't ever allow, you know, success or whatever you want to call it to determine your worth as an artist or as a person. That's number one. And number two, do it because you love it.
I would definitely say I'm predominantly a pop artist, obviously, but my music is different. It's not just top-40-radio-type music.
Guillermo del Toro. He's in his pure artist's stroke. He's just hitting it out of the park. I would go anywhere to work with him. He's a real artist.
"Do not call yourself an "artist-photographer" and make "artist-painters" and "artist-sculptors" laugh; call yourself a photographer and wait for artists to call you brother."
I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
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