A Quote by Collier Schorr
I made the first 'Blumen' picture after looking at Robert Mapplethorpe's Pictures book. I was struck by how much freedom Mapplethorpe was able to extract from his model's restraint-that in tying up and cropping his models, he appears to be able to work with people as forms. I never thought about my flowers as related to his (which I saw as annoyingly erotic); I thought of them in relationship to bondage. I wanted to make the flowers more aggressive and ironic and less docile and sensual.
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I never thought much about flowers until I made the close acquaintance of a man who knew all about them. You would have thought that the butterflies and flowers were friends of his. See how richly they are clad, he said. Even King Solomon did not have such raiment.
This was one of the greatest test of his faith he had ever experienced. The thought of deceiving the kind and faithful wife of his youth... was more than he felt able to bear.... his sorrow and misery were increased by the thought of my mother hearing it from some other source, which would no doubt separate them, and he shrank from the thought of such a thing, or of causing her any unhappiness.
If it was a biopic about Glenn Greenwald, I would have immersed myself more fully in his personal life and gotten to know him as much as I could, but because it was much more about his relationship to this particular situation, to The Guardian, to Laura Poitras, and to Ewen MacAskill, and Edward Snowden, I was able to really learn a lot about him from reading his book and reading his many articles and accounts of that time.
For the flowers are great blessings. For the Lord made a Nosegay in the meadow with his disciples and preached upon the lily. For the flowers have great virtues for all senses. For the flower glorifies God and the root parries the adversary. For the flowers have their angels even the words of God's creation. For there is a language of flowers. For there is a sound reasoning upon all flowers. For flowers are peculiarly the poetry of Christ.
Ronald Reagan was notably able to avoid having personal considerations dissuade him from taking decisive actions. This may have arisen in part from his career in motion pictures; it may be related to his being a bit of a loner; it may have related to his focus on those people and principles he sought to serve. What is clear is that this capacity enhanced his effectiveness. It was also a surprise to many people.
If you're a guy, you should get girls flowers all the time. They never get old and you can never get them enough. I'm never disappointed when I get flowers. I always thought guys who don't buy women flowers are such fools. All it takes is one. A little goes a long way with flowers.
What makes a free thinker is not his beliefs, but the way in which he holds them. If he holds them because his elders told him they were true when he was young, or if he holds them because if he did not he would be unhappy, his thought is not free; but if he holds them because, after careful thought, he finds a balance in their favor, then his thought is free, however odd his conclusions may seem.
To be a religions man and to pray are really one and the same thing. To join in the thought of God with every thought of any importance that occurs to us ; in all our admiration of external nature, to regard it as the work of His wisdom ; to take counsel with God about all our plans, that we may be able to carry them out in His name ; and even in our most mirthful hours to remember His all-seeing eye ; this is the prayer without ceasing to which we are called, and which is really the essence of true religion.
I have never thought, for my part, that man's freedom consists in his being able to do whatever he wills, but that he should not, by any human power, be forced to do what is against his will.
I have never gone into a picture without first studying my characterization from all angles. I make a study of the fellow's life and try to learn everything about him, including the conditions under which he came into this world, his parentage, his environment, his social status, and the things in which he is interested. Then I attempt to get his mental attitude as much as possible.
Picture the prince, such as most of them are today: a man ignorant of the law, well-nigh an enemy to his people's advantage, while intent on his personal convenience, a dedicated voluptuary, a hater of learning, freedom and truth, without a thought for the interests of his country, and measuring everything in terms of his own profit and desires.
You can't work on that scale without trust. I learned that from working with Robert Mapplethorpe.
The young mouse's eyes snapped open, clear and bright. He swung the ancient sword high and struck at the giant adder. He struck for Redwall! He struck against evil! He struck for Martin! He struck for Log-a-Log and his shrews! He struck for dead Guosim! He struck as Methuselah would have wanted him to! He struck against Cluny the Scourge and tyranny! He struck out against Captain Snow's ridicule! He struck for the world of light and freedom! He struck until his paws ached and the sword fell from them!
He was looking at me, jsut as I'd thought he would be, but like Bert's, his light was not what I expected. No pity, no sadness: nothing had changed. I realized all the times I'd felt people stare at me, their faces had been pictures, abstracts. None of them were mirrors, able to reflect back the expression I thought one I wore, the feelings only I felt.
The principal thing is the question of how our culture views age: that old is ugly. Take a photographer like Mapplethorpe. Every single photograph of his is about classical notions of beauty, of young beautiful black men, young beautiful women, and he selects subjects who are essentially interesting and good-looking and extremely physical. I can't stand them.
Robert Mapplethorpe asked me to write our story the day before he died. I had never written a book of nonfiction, and so it took me almost two decades to write that book.
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