A Quote by Will Gompertz

I often look for beauty in form and structure, and for ideas. — © Will Gompertz
I often look for beauty in form and structure, and for ideas.

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Beauty is something that is hard to debate. Every man thinks his ideal the best. But the wittiest woman rise to the top of this structure, conventional beauty often taking a back seat to a woman possessed of a clever tongue.
Far from creating a new formalism, what these can yield is something far transcending surface values since they not only embody form as beauty, but also form in which intuitions or ideas or conjectures have taken visible substance.
The trouble with innovation is that truly innovative ideas often look like bad ideas at the time.
Drawing teaches you to look at things properly and to understand form and structure.
The best ideas often look terrible at the beginning the truly good ideas, don't seem like they're worth stealing.
Cliche refers to words, commonplace to ideas. Cliche describes the form or the letter, commonplace the substance or spirit. To confuse them is to confuse the thought with the expression of the thought. The cliche is immediately perceivable; the commonplace very often escapes notice if decked out in original dress. There are few examples, in any literature, of new ideas expressed in original form. The most critical mind must often be content with one or the other of these pleasures, only too happy when it is not deprived of both at once, which is not too rarely the case.
When women breached the power structure in the 1980s?two economies finally merged. Beauty was no longer just a symbolic form of currency: it literally became money.
For he who would proceed aright... should begin in youth to visit beautiful forms... out of that he should create fair thoughts; and soon he will of himself perceive that the beauty of one form is akin to the beauty of another, and that beauty in every form is one and the same.
BEAUTY will result from the form and correspondence of the whole, with respect to the several parts, of the parts with regard to each other, and of these again to the whole; that the structure may appear an entire and compleat body, wherein each member agrees with the other, and all necessary to compose what you intend to form.
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like to make puppets in a gallery or museum. They're not often in those contexts.
Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down.
People often say that 'beauty is in the eye of the beholder,' and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.
Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.
Structure is what makes communication hang together. It's like the rails that a train runs on. Without them, things wouldn't move very far. If you only have time to do one thing in your presentation, make sure it has a clear and identifiable structure. Without this, you'll have no credibility. Once you've organized your ideas, if you step back and look at it, many times we've organized topics. We've strung together a structure with organized topics. At this point, change your topics into messages.
The research worker, in his efforts to express the fundamental laws of Nature in mathematical form, should strive mainly for mathematical beauty. He should take simplicity into consideration in a subordinate way to beauty ... It often happens that the requirements of simplicity and beauty are the same, but where they clash, the latter must take precedence.
Art always serves beauty, and beauty is the joy of possessing form, and form is the key to organic life since no living thing can exist without it.
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