A Quote by Will Davis
Pride and entitlement always go with unforgiveness. The longer you hold someone's offense over them, the more likely you are to start feeling arrogant and entitled to your posture toward him.
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You get up every day and you just give it over to God. And something may come against you because of the unforgiveness. But you recognize that. And you say I'm not going to hold this unforgiveness. It's something that you have to do all the time.
The longer you hold a dollar, the longer you hold money, the more valuable it becomes over time. So the younger you are, the more ability you have to hold money longer term.
Satan gains more ground in the believer's life through unforgiveness than any other thing, so be sure you let go of all offense and pray for those who have hurt you. It may be hard, but it is the best thing you can do for yourself and the kingdom of God. Don't stay angry at anyone today because it will hurt you more than it hurts them.
Canadians always make jokes about the arrogant American, but the longer I'm here, the more I realize, "Oh, it isn't that they're arrogant, it's just the way that their country is set up you really have to protect yourself and you really have to look after yourself, and with that comes the mentality of 'I'm doing my thing here, if you don't like it, get over it.'"
Entitlement? How can you be entitled to someone else's money?
I always find with my stories that the way they start is that I just get so interested in a person that I'm compelled to go back to them over and over until I learn more and more about them, without even quite thinking it's material for a book.
If someone does something we disapprove of, we regard him as bad if we believe we can deter him from persisting in his conduct, but we regard him as mad if we believe we cannot. In either case, the crucial issue is our control of the other: the more we lose control over him, and the more he assumes control over himself, the more, in case of conflict, we are likely to consider him mad rather than just bad.
It's always uneven, love; it's unbalanced and it's obviously even worse when it comes to someone wanting to part from someone who isn't willing to. It's often feeling hurt that you've never felt before and you want somebody else to feel that pain and also not wanting to let go, because when you let go you've got to start living your life again and it consumes people.
I think that the more of us who take the time to understand how someone else is feeling, the more likely we are to resist alongside them.
People always go to the ground with me trying to just hold me. They stall and wait for the referee to stand them back up so they can start it all over.
It's just this feeling of when you're a kid, you have these ideas about the world and about people in your life that don't always hold up as you get older and start to realise that things are more complex than you might've realised. That's always a big part of a coming-of-age story.
If you're holding on to an offense, then you haven't forgiven the person who hurt you. Unforgiveness finds excuses to talk about what people have done to us, and we'll tell anyone who will listen. There's a difference between sharing your testimony to help someone and talking about what's been done to you because you are angry about it.
The harder you fight to hold on to specific assumptions, the more likely there's gold in letting go of them.
When someone is always looking over their shoulder, they're more likely to trip.
People who graduate are more resilient financially, and they weather economic downturns better than people who don't graduate. And, throughout their lives, people who graduate are more likely to be economically secure, more likely to be healthy, and more likely to live longer. Face it: A college degree puts a lot in your corner.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
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