A Quote by Will Forte

I don't like the pressure to try to tell the best jokes. I'm not good at jokes. — © Will Forte
I don't like the pressure to try to tell the best jokes. I'm not good at jokes.
I try not to write jokes that are mean. I try my best to write jokes that are pretty universal and jokes that don't attack anyone. I know I often fall short of that and end up taking unfair swipes at people, but I try not to.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
I'm not good with jokes, no. I don't know a joke at all. I like being told jokes, but I can't tell one myself.
One of the great things about us Jews is that we tell the best jokes. Part of the reason is we tell jokes against ourselves - before anyone else gets to do it.
I'm a taker in terms of jokes. I love to hear a good joke, but I don't retain jokes. I'm not a good teller of jokes.
I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
I'm not good at narrative; I'm really a gag writer, and that comes from being in the newspaper comic strip world for a while in college. What I do is I just write tons of jokes, then I sort them out in terms of quality and then pick the best of the jokes and then try to form them into a plot. If I get a good theme going, I feel lucky.
I love those people who do story-telling and who ramble on, but I don't do that, I tell jokes - the sort of jokes that anyone really could tell in the pub.
I don't tend to like race jokes. I don't like Jew jokes and black jokes, and they make me very uncomfortable, probably because I'm both. Well, I'm not black - but if I was then I could dance better.
I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
Jokes for jokes' sake are kind of meaningless to me. I understand the value of them, but it doesn't speak to me as much. You can lace your argument with jokes, but tell me why you're presenting this argument. What does it mean?
I do like a well-written sketch with a bunch of jokes in it, and I like stand-up with good jokes in it it.
I use mother-in-law jokes, kid jokes, tax jokes - anything that works.
I make comedies and I always try... I don't try but I allow to have at least 5% of the jokes or have some jokes that I know will be understood by only about 5% of the audience. It's that guy in the corner who gets it and laughs. But he has to have his jokes too. That's part of my audience. Part of my audience is the people who will only get certain things.
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