A Quote by William Butler Yeats

Too long a sacrifice can make a stone of the heart. O when may it suffice? — © William Butler Yeats
Too long a sacrifice can make a stone of the heart. O when may it suffice?
Pleasures may turn a heart to stone, riches may make it callous, but sorrows cannot break it. Hearts live by being wounded.
There may be some tenderness in the conscience and yet the will be a very stone; and as long as the will stands out, there is no broken heart.
No sacrifice is worth the name unless it is a joy. Sacrifice and a long face go ill together. Sacrifice is 'making sacred'. He must be a poor specimen of humanity who is in need of sympathy for his sacrifice.
Falsehood is difficult to be maintained. When the materials of a building are solid blocks of stone, very rude architecture will suffice; but a structure of rotten materials needs the most careful adjustment to make it stand at all.
Comrades ! You have voluntarily accepted a mission that is the noblest that the human mind can conceive of. For the fulfillment of such a mission no sacrifice is too great, not even the sacrifice of one's life. You are today the custodians of India's national honour and the embodiment of India's hopes and aspirations. So conduct yourself that your countrymen may bless you and posterity may be proud of you.
Make some sacrifice for your art and you will be repaid, but ask of art to sacrifice herself for you and a bitter disappointment may come to you.
Without the rebellious heart, without people who understand that there's no sacrifice we can make that is too great to retrieve that which we've lost, we will forever be distracted with possessions and trinkets and title.
He tunneled into stories where weak men changed into strong half-animals or used eye beams or magic hammers to power through steel or climb up the sides of skyscrapers. He was the Hulk when angry and Spidey the rest of the time. When he felt his heart hurt he turned into something stronger than a little boy, and he grew up this way. A heart that flashed from heart to stone, heart to stone. As I watched I thought of what Grandma Lynn liked to say when Lindsey and I rolled our eyes or grimaced behind her back. "Watch out what faces you make. You'll freeze that way.
Sacrifice, so that you may be saved. You have to sacrifice, not a bleating sheep or a horse or a cow, but your animality, the bestial lust and greed, hate and malice. Sacrifice these and you earn the heaven of unflinching peace.
No one worth possessing Can be quite possessed; Lay that on your heart, My young angry dear; This truth, this hard and precious stone, Lay it on your hot cheek, Let it hide your tear. Hold it like a crystal When you are alone And gaze in the depths of the icy stone. Long, look long and you will be blessed: No one worth possessing Can be quite possessed.
Since you know the means of getting better, in the name of God, make use of them. Do not take on anything beyond your strength, do not be anxious, do not take things too much to heart, go gently, do not work too long or too hard.
Pick up a stone that feels good to you and is small enough to hold in one hand. Consider how long that stone has been around and what enormous pressure it has experienced. Draw strength from its long history.
Nature will not let us stay in any one place for too long. She will let us stay just long enough to gather the experience necessary to the unfolding and advancement of the soul. This is a wise provision, for should we stay there too long, we would become too set, too rigid, too inflexible. Nature demands change in order that we may advance.
... the yearly expenses of the existing religious systemexceed in these United States twenty millions of dollars. Twenty millions! For teaching what? Things unseen and causes unknown!... Twenty millions would more than suffice to make us wise; and alas! do they not more than suffice to make us foolish?
Success is feeling good about the work you do throughout the long, unheralded journey that may or may not wind up at the launch pad. You can't view training solely as a stepping stone to something loftier. It's got to be an end in itself.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
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