A Quote by William Baldwin
I look for an interesting and often times, fresh character. Something different that what is done all the time or than I've done recently. I look at who is directing. Those two variables as well as a third, which is the content and the quality of the screenplay. I look at the arcs of the scenes and characters and relationships.
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The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.
For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
I've done many body scans. Every time your character fights in a different look, they'll rescan you. Because my character has taken so long to get a super suit, every time Mon-El fights, he's in something different.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
When you look at what Star (casino) has done for Sydney over the last fifteen years.. I don't think it has done a lot. When you look at what Crown (his casino) has done for Melbourne, I think it has done an enormous amount. And there's all sorts of statistics and figures and facts that can back those things up.
If I cared what people think about my career, I would have not done - just look at my work. Don't look at me; look at what I've done.
I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]
I look forward to the challenge, but most importantly, I look forward to the opportunity to do what hasn't been done that often, in a sense. Michael Jordan obviously has done it, but that's it.
When I look at all of that and I look at the type of content I've created, every time I've gone wrong is when I've tried to create a piece of content where I want someone to learn something or know something.
Mounting those red stairs [in Cannes] is something I've done with a very different intention many times. So it's interesting any time you witness those shifts of perspective. The beach scenes were also fun. It felt very strange and very theatrical to kind of commandeer it and have La Mer booming over the speakers.
The costumes in museums are often not exhibited well. They look dead. It is much better to look at a painting by Bronzino than to go look at a Renaissance costume.
I have the kind of personality that I always look ahead than look at what's happened. It does help a lot, especially when you've done badly or you've failed. It's instinctive of me that I look at what's next, I look ahead a lot, and start preparing for that, in victory and in defeat.
I look to challenge myself with a character that's not like myself or anything I've done before, but I certainly don't reject roles based on how often I've done them.
I think what's fun about the Western genre is the character arcs are very strong and, arguably, more interesting and exciting than the action that is metaphorically representational of those arcs.
If you look at 'Coraline' and you look at 'ParaNorman' certainly you can tell that there are threads of the same DNA between those two movies, but they're two very different kinds of movies. They look different, they feel different, they are very different kinds of movies.
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