A Quote by William Gaddis
There is nothing more distressing or tiresome than a writer standing in front of an audience and reading his work.
Related Quotes
A person standing in front of an audience without enthusiasm for his subject and his actions is disconnected from his spirit.
I do a better job of standing in front of the guards than I used to. I can take it to a higher level as far as reading the offenses, reading where all of our guys are, so I can get into the right position.
Nothing is more sweet than harmony in marriage, and nothing more distressing than dissension.
I'm serious, Harry, don't go." But Harry only had one thought in his head, which was to get back in front of the mirror, and Ron wasn't going to stop him. That third night he found his way more quickly than before. He was walking so fast he knew he was making more noise than was wise, but he didn't meet anyone. And there were his mother and father smiling at him again, and one of his grandfathers nodding happily. Harry sank down to sit on the floor in front of the mirror. There was nothing to stop him from staying here all night with his family. Nothing at all.
There is no fate more distressing for an artist than to have to show himself off before fools, to see his work exposed to the criticism of the vulgar and ignorant.
So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.
Nothing is more tiresome than a superannuated pedagogue.
I would love to do much more singing; it's just one of those things where I can't quite describe what it feels like when you're standing in front of a forty piece orchestra, and there's nothing between you and an audience but a microphone. It's like strapping yourself to a locomotive, and I love it.
I remember I always felt much more safe standing up on a chair and singing in front of my mother than I was in front of my father!
More than illness or death, the American journalist fears standing alone against the whim of his owners or the prejudices of his audience. Deprive William Safire of the insignia of the New York Times, and he would have a hard time selling his truths to a weekly broadsheet in suburban Duluth.
I can imagine nothing more tiresome than always to speak of people as if they were listening at the door.
When you're in front of an audience, you know if it didn't work. I get very nervous and have a fear of failure that is much more profound than in the podcast world.
It just makes that person feel that what his work is is going to be more valid. But who wants to see a guy standing in front, looking like a bum, doing something that a bums don't do? This don't make sense.
For me, there's nothing more valuable as an actor, or better way to learn, than getting to perform in front of a live audience, no matter where you are. Whether it's on Broadway, in Florida, or doing a tour.
As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.
The writer's shortness of breath became more and more distressing as he rose.
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