A Quote by William James

If there is aught of good in the style, it is the result of ceaseless toil in rewriting. Everything comes out wrong with me at first; but when once objectified in a crude shape, I can torture and poke and scrape and pat it till it offends me no more.
I once showed Pat Bradley my swing and said, 'What do I do next?' Pat replied, 'Wait till the pain dies down.'
Option 1: Attempt to back out. Probable result: Death after painful torture. Option 2: Do the job and hope. Probable result: Death but probably no torture (good)
I am truly miserable - more so than I like to acknowledge to myself. Pride refuses to aid me. It has brought me into the scrape, and will not help me out of it.
You may think me crude, and probably I am crude, but I am not so crude as I was, for I am clever enough to see that the girl of nineteen who thought herself a genius was only an unusual girl writing her heart out.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.
Writing is rewriting; rewriting is writing - from the first crossed-out word in the first sentence to the last word inserted above a caret, that most helpful handwritten stroke.
The coward wretch whose hand and heart Can bear to torture aught below, Is ever first to quail and start From the slightest pain or equal foe.
I couldn't speak any English when I first left Russia, and Intimissimi taught me everything. The team was like a family to me - they showed me how to model and how to stay in shape. They really believed in me.
Dreaming and hoping won't produce a piece of work; only writing, rewriting and rewriting (if necessary)- a devoted translation of thoughts and dreams into words on paper will result in a story.
I owe everything to a system that made me learn by heart till I wept. As a result I have thousands of lines of poetry by heart. I owe everything to this.
Everything that's said against me offends me, whether it's true or not.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
For me, it's not an option to not be in shape and to not work out. I just always try to make time for it and strength train four or five days a week, and I'm always eating clean, so - don't get me wrong, though - I love a good pizza and some wings every now and then.
I had grown used to getting a pat on the back and being told after a good result: 'Well done, David - you should be happy, you're the first clean rider.
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