A Quote by William Saroyan

Each book can make a life or a fragment of it more beautiful. — © William Saroyan
Each book can make a life or a fragment of it more beautiful.
Strange are the ways of history, where no single thing abides, but all things flow into each other, fragment to fragment clinging.
I've lived in worlds where there are three or four suns. We had incredible sunsets, beautiful. But they weren't more beautiful than here, if my mind is more beautiful in each life.
Beautiful Lies is a book every woman should read. Jennifer Strickland weaves the powerful story of her life throughout each chapter while emphasizing transformational truths from God's Word. Her vulnerability, exquisite writing style, and practical take-home applications make this book the ideal choice for personal or for small group use.
Each of us has a purpose for living beyond our own survival and pleasure. Every individual is like a thread in a beautiful tapestry with a vital contribution to make, not only to the sustenance of life as we know it, but in the creation and development of more beneficial expressions of life.
It's really, really eclectic. It's not a business book [Girlboss], but it's still a book that should make you want to get up and do things and think about your life. And for a book that looks that beautiful on a coffee table, I think that's a very special thing. So it's hopefully a new genre I guess, of book. It was so fun to put together and fun to write, that was really a pleasure.
We’re all in the end-of-our-life book club, whether we acknowledge it or not; each book we read may well be the last, each conversation the final one.
Beautiful things comfort; they bring a real clarity and ease. We have to continue to make our environments beautiful - it's sort of like a prayer. If you surround yourself with beautiful things, you have a better life - one with more oxygen.
I suppose also that watching marketing and publicity stuff play out from behind the scenes, making those plans and seeing each piece fall into place or not, each year, for each book, has made me a little more tranquil about the process for my own book than I might otherwise be.
You've got to give kids really beautiful children's books in order to turn them into revolutionaries. Because if they see these beautiful things when they're young, when they grow up they'll see the real world and say, 'Why is the world so ugly?! I remember when the world was beautiful.' And then they'll fight, and they'll have a revolution. They'll fight against all of our corruption in the world, they'll fight to try to make the world more beautiful. That's the job of a good children's book illustrator.
Because each photograph is only a fragment, its moral and emotional weight depends on where it is inserted. A photograph changes according to the context in which it is seen: thus Smith's Minamata photographs will seem different on a contact sheet, in a gallery, in a political demonstration, in a police file, in a photographic magazine, in a book, on a living-room wall. Each o these situations suggest a different use for the photographs but none can secure their meaning.
I like it when you have something happening by coincidence. Just something in a book is enough. But I prefer a fragment of an image so you are far more free to bring in elements of your own.
With each book I write, I become more and more convinced that the books have a life of their own, quite apart from me.
For every Book of Job, there's a Book of Leviticus, featuring some of the most boring prose ever written. But if you were stranded on a desert island, what book would better reward long study? And has there ever been a more beautiful distillation of existential philosophy than the Book of Ecclesiastes?
There is not a fragment in all nature, for every relative fragment of one thing is a full harmonious unit in itself.
I have loved books all my life. There is nothing more beautiful in our material world than the book.
There is nothing more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.
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