A Quote by William Styron

Nonfiction writers are second-class citizens, the Ellis Island of literature. We just can't quite get in. And yes, it pisses me off. — © William Styron
Nonfiction writers are second-class citizens, the Ellis Island of literature. We just can't quite get in. And yes, it pisses me off.
Kyo: Of course, I'll beat YOU, too! Yuki: Don't you ever get tired of saying that? Kyo: Beating you is my vocation! It's my goal in life! Yuki: It's so unfair that I keep having to take abuse just because you can't meet your goals. Kyo: THAT CONDESCENDING ATTITUDE OF YOURS REALLY PISSES ME OFF! Yuki: And that revolting thought process of yours pisses me off.
At Ellis Island, I mean, you didn't go there if you arrived in first class. It was only the poorest, the people in the worst shape.
I am the byproduct of an Ellis Island orgy, basically. I'm everything. I've got quite a mixture in me. I know a lot of it and I don't know some of it. I'm pretty mixed up, but mostly Russian and Irish.
American servicewomen will continue to be viewed as second-class warriors if leaders push them to take up the customs of countries where women are second-class citizens.
I do have rules, and etiquette things. I think it's a southern thing too, to an extent. I'll hold the door for someone, but if they don't say, "Thank you," it pisses me off. I say, "Yes, ma'am," and, "Yes, sir." Stuff that is maybe archaic in a lot of ways, but that's how I was raised, and I don't think there's really any harm in that.
I certainly think it's very important that writers as citizens - not necessarily as writers, but just as ordinary citizens - should talk about things that matter to them.
I certainly think its very important that writers as citizens - not necessarily as writers, but just as ordinary citizens - should talk about things that matter to them.
Are you a prude?' He seemed genuinely curious. 'No!' But after a second, I said, 'But may be compared to you, yes! I like my privacy. I get to decide who sees me naked. Do you get my point?' 'Yes. Objectively speaking, you have beautiful points.' I thought the top of my head would pop off... (Sookie Stackhouse & Claude, Dead in the Family)
There are a lot of people of my generation in New Zealand literature, young writers on their first or second books, that I'm just really excited about. There seems to be a big gap between the generation above and us; it seems to be quite radically different in terms of form and approach.
Countless black citizens in the South couldn't vote. They were second-class citizens from cradle to grave. The discrimination was terrible, brutal.
For a while I just couldn't imagine that there was a place for me in nonfiction. I looked around at what we were calling nonfiction and I thought, "Maybe you do have to go to poetry in order to do this other weird thing in nonfiction."
I still believe nonfiction is the most important literature to come out of the second half of the 20th century.
Prejudice doesn't make me mad. It just - I guess 'pisses me off' is the word.
There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.
Nonfiction writers are the packhorses of literature. We're meant to carry the story. If we can make it up and down the mountain by a reliable if not scenic route, we have delivered. Technique is optional.
You know, I don't mind dying. The thing that pisses me off is that I won't get to be an old man. I was looking forward to that.
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