A Quote by William Hanna
I saw one of the old 'Tom and Jerry' cartoons the other day. I hadn't seen it for 30 years and I didn't remember it. We made 160 of them! I thought it was a very funny cartoon.
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I think we had made 160 'Tom and Jerry' cartoons.
Cameron threw her hands up in frustration. “What is this so-called ‘look’?” Whatever it was, she was going to have to start taking extreme measures to guard against it. Amy grinned. “You know the Tom and Jerry cartoon where Tom hasn’t eaten for days and he imagines Jerry looking like a ham? Kind of like that.
I was first introduced to dancing through the TV: I remember watching ballet, jazz and ballroom dancing when I was very little. But I felt no connection with it whatsoever: it was just like watching a Tom and Jerry cartoon.
When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
I think that - whether I should admit this or not - Joe and I, going back to 'Tom and Jerry,' have been very lucky in being able to do cartoons that have universal appeal.
The Smurfs - and they're this way in Peyo's comics as well - do have a rubbery indestructibility about them. They can get bruised & battered. But they then just sort of bounce back very quickly, like those classic cartoon characters Wiley Coyote and Tom & Jerry.
I was influenced by Ray Harryhausen and Lotte Reiniger, with her twitchy, cutout animation, which I happened to see at a very young age, but also by the Warner Bros. cartoons, 'Tom and Jerry,' and of course Disney. And also by Fellini's 'Giulietta of the Spirits' and Kurosawa's 'Ran.' And by other American illustrators and painters.
I saw Brahms's Hungarian Rhapsody on television when I was two. Tom and Jerry were playing it together. I thought, 'Hey, if a cat can play like that, why can't I?'
I have a fascination for cartoons. No matter how many times 'Tom and Jerry' fall, you never complain, and watch it again.
I never got tired of Tom and Jerry, but I did have a dream of doing more with my life than making cartoons.
I enjoyed doing the 'Tom and Jerry' cartoons, and if we had never done anything else, I would have been perfectly satisfied.
I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."
They thought they were Mick Jagger and Jerry Hall. In fact, they were more like Tom and Jerry
We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.
I like that cartoons are now not only animated drawings, they are a way of doing something: 'That song sounds very cartoony', or 'He has a cartoon face'. Like the word 'poetic', which usually means something different than a poem. But most of all cartoons are comforting, that's the real reason I need them.
We have made a huge amount of progress over the last 50 years by enabling trade, by enabling kind of collaboration and learning. And actually, in fact, when you look at your average 30-year-old today, they're much better off than a 30-year-old 20 years ago, 30 years ago, because of progress in technology and health care and all the rest of this.
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