A Quote by William Shakespeare

So full of shapes is fancy That it alone is high fantastical. — © William Shakespeare
So full of shapes is fancy That it alone is high fantastical.
so full of shapes is fancy
Fancy, an animal faculty, is very different from imagination, which is intellectual. The former is passive; but the latter is active and creative. Children, the weak minded, and the timid are full of fancy. Men and women of intellect, of great intellect, are alone possessed of great imagination.
I'm interested in producing truncated shapes in proportion to the frame and composition, shapes that are preferably luminous. I'm not interested in the full-figure. I want to abstract forms.
I surround myself with fantastical things because it makes it a little easier to write fantastical stories.
I am convinced that living in an enclave shapes the personality, and living alone shapes the personality too.
I don't go in for the high-end gyms with the high-tech equipment and all the fancy stuff.
When writing fantastical literature, your biggest problem is getting your audience to believe the fantastical elements of your story.
All religions, with their gods, their demigods, and their prophets, their messiahs and their saints, were created by the credulous fancy of men who had not attained the full development and full possession of their faculties.
When you are playing an egomaniac running a fantastical ship, you don't want him to be too suburban. Naturalism doesn't work on the high seas.
I was inspired more by early Bette Midler. I do wear a fancy dress and very high heels - and extra high hair. My goal is to obliterate all earnestness.
Crime shapes how we think about the world; it shapes social decisions that we make; it shapes our base of knowledge. But we don't talk about it intelligently.
Sometimes you have to gag on fancy before you can appreciate plain, th' way I see it. For too many years, I ate fancy, I dressed fancy, I talked fancy. A while back, I decided to start talkin' th' way I was raised t' talk, and for th' first time in forty years, I can understand what I'm sayin'.
Hopefully, any character I play has an anchor in reality. The more fantastical characters, or fantastical worlds that they inhabit are really fun and allow you, in some ways, to tell stories and reveal things about our lives that would be harder to take, in a more realistic setting.
I started to draw desert islands. They were just rough, shapes in the middle of the page. Then I began drawing shapes within those shapes and I was amazed how quickly the islands got better. It took off from there.
As love is full of unbefitting strains, All wanton as a child, skipping and vain, Form'd by the eye and therefore, like the eye, Full of strange shapes, of habits and of forms, Varying in subjects as the eye doth roll To every varied object in his glance
The social mould civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns. I am called Mrs. Richard Phillotson, living a calm wedded life with my counterpart of that name. But I am not really Mrs. Richard Phillotson, but a woman tossed about, all alone, with aberrant passions, and unaccountable antipathies.
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