A Quote by William Shatner
I don't know how I got to this point but it must be as a result of everything that has come before so if I were to change something, I might not be at this point now.
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There comes a point in time when you must know that everything you have already given or done is enough. This is not something anyone else can tell you. You must know. Giving without receiving doesn't prove anything except that you know how to be taken advantage of.
You know they've come to this point where they want to blame climate change for quite literally everything now, and sorry, but the Green New Deal is not going to solve that.
Life moves in one direction only - and each day we are faced with an actual set of circumstances, not with what might have been, not with what we might have done, but with what is, and with where we are now- and from this point we must proceed; not from where we were, not from where we wish we were - but from where we are.
The point is to change one's life. The point is not to give some vent to the emotions that have been destroying one; the point is so to act that one can master them now.
Right now over 70 percent of the world population is convinced that something serious has to be done about the dangers facing the planet. ...Most of humanity wants to know how to make the change. It's one of those tipping-point times where things can change unbelievably fast.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
Preacher is a great frustration because I thought it was done, and then it got put in the press notes for the [Frankenweenie] junket and everyone started asking about it again. Preacher could be filmed, at any point. It's sort of ready to go, but it's lacking a green light. At some point, that green light might come, but it may never come. So, I have to allow for the fact that I've done everything I can, and whatever happens with it, happens with it.
I've been trying to fit everything in, trying to get to the end before it's too late, but I see now how badly I've deceived myself. Words do not allow such things. The closer you come to the end, the more there is to say. The end is only imaginary, a destination you invent to keep yourself going, but a point comes when you realize you will never get there. You might have to stop, but that is only because you have run out of time. You stop, but that does not mean you have come to an end.
When we got to Steamboat, we were on that big stage at five in the afternoon, and it was almost at capacity. I told my guys 'no matter what we've done to get to this point, no matter what lows, what highs, right now we are here and we've got a point to prove." It was probably one of my most memorable performances thus far.
Scientifically, I know beginnings don’t exist. The world is made of energy, which is neither created nor destroyed. Everything she is was here before me. Everything she was will remain. Her existence touches both my past and my future at one point—infinity. Lifelines aren’t lines at all. They’re more like circles. It’s safe to start anywhere and the story will curve its way back to the starting point. Eventually. In other words, it doesn’t matter where I begin. It doesn’t change the end.
I think that's the greatest gift one can have: point of view. You know? I've come to believe that if you have a bad memory of something, change it.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
It's funny, but thinking back on it now, I realize that this particular point in time, as I stood there blinking in the deserted hall, was the one point at which I might have chosen to do something very much different from what I actually did. But of course I didn't see this crucial moment for what it actually was; I suppose we never do. Instead, I only yawned, and shook myself from the momentary daze that had come upon me, and went on my way down the stairs.
I've always played down the drama in my films. In my main scenes, there's never an opportunity for an actor to let go of everything he's got inside. I always try to tone down the acting, because my stories demand it, to the point where I might change a script so that an actor has no opportunity to come out well.
The characteristics that I look for when I'm looking for really good entrepreneurs to lead companies are you have to have an inquiring mind, you have to say there must be a better way to do things, and now with technology at a point where everything is possible, how do we turn the possible into the probable? And it all starts with a passion to do something really well, to solve a problem in a way that's never been solved before, and to have just an incredible work ethic, to be persistent.
I was with my wife for five years before we got married. At some point, she was ready to take the next step, and I would say, 'I'm committed to you now; nothing's going to change.'
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