A Quote by Whit Stillman

I remember when I was trying to do 'Metropolitan,' in breaks I would read a page of two of Jane Austen as a palate-cleanser. — © Whit Stillman
I remember when I was trying to do 'Metropolitan,' in breaks I would read a page of two of Jane Austen as a palate-cleanser.
I've been fortunate in that I never actually read any Jane Austen until I was thirty, thus sparing myself several decades of the unhappiness of having no new Jane Austen novels to read.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
One doesn't read Jane Austen; one re-reads Jane Austen.
I am a Jane Austenite, and therefore slightly imbecile about Jane Austen. My fatuous expression, and airs of personal immunity-how ill they sit on the face, say,of a Stevensonian! But Jane Austen is so different. She is my favourite author! I read and reread, the mouth open and the mind closed. Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
I read one Jane Austen in college and didn't like it at all and told everyone how much I disliked it. I read 'Northanger Abbey' sophomore year in college and hated it. I didn't read good Austen until after college, maybe a couple years out.
Jane Austen easily used half a page describing someone else's eyes; she would not appreciate summarizing her reading tastes in ten titles.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
Jane Austen we know never let two men converse alone in any novel because what they said would be unknown to her.
Growing up, I mostly read comic books and sci-fi. Then I discovered the book 'Jane Eyre' by Jane Austen. It introduced me to the world of romance, which I have since never left. Also, the world of the first-person narrative.
I tell stories. I kind of stumbled on that by trying to combine Jane Austen and magic.
The difficulty with poetry is that it doesn't have the life that Shakespeare or Jane Austen have beyond the page. You can't make a costume drama out of it. There's no place for it to go except trapped inside its little book.
I actually didn't like Jane Austen. I was more into the Brontes. They were so wild and passionate. I thought there was something a bit tame about Austen.
Every time I read a Jane Austen novel, I feel like a bartender at the gates of heaven.
And I love Jane Austen's use of language too--the way she takes her time to develop a phrase and gives it room to grow, so that these clever, complex statements form slowly and then bloom in my mind. Beethoven does the same thing with his cadence and phrasing and structure. It's a fact: Jane Austen is musical. And so's Yeats. And Wordsworth. All the great writers are musical.
I'm a Jane Austen/Jane Eyre kind of girl.
This site uses cookies to ensure you get the best experience. More info...
Got it!